Synopses & Reviews
Jilly Coppercorn and Geordie Riddell. Since they were introduced in the first Newford story, "Timeskip," back in 1989, their friends and readers alike have been waiting for them to realize what everybody else already knows: that they belong together. But they've been more clueless about how they feel for each other than the characters in
When Harry Met Sally. Now in
Widdershins, a stand-alone novel of fairy courts set in shopping malls and the Bohemian street scene of Newford's Crowsea area, Jilly and Geordies story is finally being told.
Before its over, well find ourselves plunged into the rancorous and sometimes violent conflict between the magical North American animal people” and the more newly-arrived fairy folk. Well watch as Jilly is held captive in a sinister world based on her own worst memories--and Geordie, attempting to help, is sent someplace even worse. And well be captivated by the power of love and determination to redeem ancient hatreds and heal old magics gone sour.
To walk widdershins” is to walk counterclockwise or backwards around something. Its a classic pathway into the fairy realm. Its also the way people often back slowly into the relationships that matter, the real ones that make for a life. In Widdershins Charles de Lint has delivered one of his most accessible and moving works of his career.
A June 2006 Book Sense Pick Charles de Lint's evocative novels, including Moonheart, Forests of the Heart, and The Onion Girl, have earned him a devoted following and critical acclaim as a master of contemporary magical fiction in the manner of storytellers like John Crowley, Jonathan Carroll, Alice Hoffman, Ray Bradbury, and Isabel Allende. De Lint and his wife, the artist MaryAnn Harris, live in Ottawa, Ontario, Canada.
Since Jilly Coppercorn and Geordie Riddell were introduced in the first Newford story, "Timeskip," back in 1989, their friends and readers alike have been waiting for them to realize what everybody else already knows: that they belong together. But they've been more clueless about how they feel for each other than the characters in When Harry Met Sally. Now in Widdershins, a stand-alone novel of fairy courts set in shopping malls and the Bohemian street scene of Newford's Crowsea area, Jilly and Geordies story is finally being told.
Before its over, well find ourselves plunged into the rancorous and sometimes violent conflict between the magical North American animal people” and the more newly arrived fairy folk. Well watch as Jilly is held captive in a sinister world based on her own worst memoriesand Geordie, attempting to help, is sent someplace even worse. And well be captivated by the power of love and determination to redeem ancient hatreds and heal old magics gone sour.
To walk widdershins” is to walk counterclockwise or backwards around something. Its a classic pathway into the fairy realm. Its also the way people often back slowly into the relationships that matter, the real ones that make for a life. In Widdershins, Charles de Lint has delivered one of his most moving works.
De Lint takes us back to Newford and environs, his most extensive creation, where things and people from dreams and lore and story pass easily into the human world and draw humans into theirs. When Lizzie Mahone's car breaks down at a crossroads in the early hours of the morning, and she is rescued from a gang of particularly thuggish spirits by a kindlier one, she takes her first step into the world of the spirits of the land and also into the midst of brawls and rivalries between aboriginal spirits and others who have arrived over the centuries. The dwellers in the otherlands have adapted to changes wrought by time and technology but, not having altered their nature, are as capriciously helpful or harmful to humans as they ever were in any folktale. Lizzie's introduction to the otherlands draws her into the circle of similar characters in de Lint's previous Newford books. Indeed, Widdershins is also a story of Jilly Coppercorn, the crippled heroine of The Onion Girl. De Lint weaves the individual characters' stories into a tight-knit whole, accompanied by music, love, pugnacity, frustration, and healing. Many of his faithful readers see the people he has created as kin they want to keep up with. Walk widdershins (i.e., counterclockwise) once and you may, too.”Frieda Murray, Booklist (starred review)
As familiarly as though he were chronicling the lives of old friends, de Lint spins yet another magical story of the intersections between reality and the faerie and spirit world in this latest addition to the Newford opus, his twin loves of storytelling and music-making shining through every page . . . recommended."Library Journal (starred review)
This pleasing addition to the popular Newford saga brings series characters Jilly Coppercorn and Geordie Riddell together in a romantic relationship that's anything but simple. In de Lint's magic-realist universe, a version of contemporary North America, the supernatural is taken for granted and the occasional skeptic who doesn't understand that everyone else has routine encounters with fairies and Native American earth spirits is left very much in the dark. Many of the characters are folk musicians, one of whom begins the story under magical compulsion to perform for the fairy revels in a shopping mall after closing time. These fairies aren't necessarily of the cuddly sortearly on, a female musician barely escapes possible rape or murder from nasty little men. In the background, a great war is brewing between Native American spirits and those that came over with the white men, a situation that inevitably recalls Neil Gaiman's American Gods, to which this more intimate and folksy book compares favorably.”Publishers Weekly
Review
"De Lint weaves the individual characters' stories into a tight-knit whole....Many of his faithful readers see the people he has created as kin they want to keep up with. Walk widdershins (i.e., counterclockwise) once and you may, too." Booklist (Starred Review)
Review
"[D]e Lint spins yet another magical story of the intersections between reality and the faerie and spirit world in this latest addition to the Newford opus, his twin loves of storytelling and music-making shining through every page....[H]ighly recommended." Library Journal
Review
"Sentimental, wildly imaginative follow-up to The Onion Girl....Despite the convoluted lineages, a rather sweet relationship novel." Kirkus Reviews
Review
"I've praised de Lint's writing in the past, but I've run out of superlatives for Widdershins. It is easily one of the best if not the best novels in his vast library." Tom Knapp, Rambles.net
Review
"[V]intage de Lint and a perfect example of how his nontraditional approach to faerie works so well....Charles de Lint is one of my all-time favorite authors and...Widdershins...stand[s] up as some of the best writing he has done." Colleen Mondor, BookSlut
Review
"Widdershins seems to have tied all the strands of de Lint's writing together into a seamless whole, with that mythic quality he creates right at the core....Chalk it up to de Lint's masterful storytelling." Robert M. Tilendis, Green Man Review
Review
"No one does it better." Alice Hoffman
Review
"Widdershins is easily one of de Lint's best books, and one of his strongest offerings to date....[I]t's an excellent, heartfelt read that delivers a satisfying conclusion. De Lint fans would be foolish to miss this book, and urban fantasy readers will find a lot to enjoy here." SFSite.com
Synopsis
Introduced in the first Newford story, "Timeskip," Jilly Coppercorn and Geordie Riddell's story is finally being told in this stand-alone novel of fairy courts set in shopping malls and the Bohemian street scene of Newford's Crowsea area.
Synopsis
In Widdershins, fantasy author Charles de Lint has delivered one of his most accessible and moving works of his career.
Jilly Coppercorn and Geordie Riddell. Since they were introduced in the first Newford story, "Timeskip," back in 1989, their friends and readers alike have been waiting for them to realize what everybody else already knows: that they belong together. But they've been more clueless about how they feel for each other than the characters in When Harry Met Sally. Now in Widdershins, a stand-alone novel of fairy courts set in shopping malls and the Bohemian street scene of Newford's Crowsea area, Jilly and Geordie's story is finally being told.
Before it's over, we'll find ourselves plunged into the rancorous and sometimes violent conflict between the magical North American "animal people" and the more newly-arrived fairy folk. We'll watch as Jilly is held captive in a sinister world based on her own worst memories--and Geordie, attempting to help, is sent someplace even worse. And we'll be captivated by the power of love and determination to redeem ancient hatreds and heal old magics gone sour.
To walk "widdershins" is to walk counterclockwise or backwards around something. It's a classic pathway into the fairy realm. It's also the way people often back slowly into the relationships that matter, the real ones that make for a life.
A June 2006 Book Sense Pick
Synopsis
Jilly Coppercorn and Geordie Riddell. Since they were introduced in the first Newford story, "Timeskip," back in 1989, their friends and readers alike have been waiting for them to realize what everybody else already knows: that they belong together. But they've been more clueless about how they feel for each other than the characters in
When Harry Met Sally. Now in
Widdershins, a stand-alone novel of fairy courts set in shopping malls and the Bohemian street scene of Newford's Crowsea area, Jilly and Geordie's story is finally being told.
Before it's over, we'll find ourselves plunged into the rancorous and sometimes violent conflict between the magical North American "animal people" and the more newly-arrived fairy folk. We'll watch as Jilly is held captive in a sinister world based on her own worst memories and Geordie, attempting to help, is sent someplace even worse. And we'll be captivated by the power of love and determination to redeem ancient hatreds and heal old magics gone sour.
To walk "widdershins" is to walk counterclockwise or backwards around something. It's a classic pathway into the fairy realm. It's also the way people often back slowly into the relationships that matter, the real ones that make for a life. In Widdershins Charles de Lint has delivered one of the most accessible and moving works of his career.
Synopsis
Charles de Lint's most moving novel in years
Synopsis
Jilly Coppercorn and Geordie Riddell. Since they were introduced in the first Newford story, "Timeskip," back in 1989, their friends and readers alike have been waiting for them to realize what everybody else already knows: that they belong together. But they've been more clueless about how they feel for each other than the characters in
When Harry Met Sally. Now in
Widdershins, a stand-alone novel of fairy courts set in shopping malls and the Bohemian street scene of Newford's Crowsea area, Jilly and Geordie's story is finally being told.
Before it's over, we'll find ourselves plunged into the rancorous and sometimes violent conflict between the magical North American "animal people" and the more newly-arrived fairy folk. We'll watch as Jilly is held captive in a sinister world based on her own worst memories--and Geordie, attempting to help, is sent someplace even worse. And we'll be captivated by the power of love and determination to redeem ancient hatreds and heal old magics gone sour.
To walk "widdershins" is to walk counterclockwise or backwards around something. It's a classic pathway into the fairy realm. It's also the way people often back slowly into the relationships that matter, the real ones that make for a life. In Widdershins Charles de Lint has delivered one of his most accessible and moving works of his career.
A June 2006 Book Sense Pick
About the Author
Charles de Lint and his wife, the artist MaryAnn Harris, live in Ottawa, Ontario, Canada. His evocative novels, including Moonheart, Forests of the Heart, and The Onion Girl, have earned him a devoted following and critical acclaim as a master of contemporary magical fiction in the manner of storytellers like John Crowley, Jonathan Carroll, Alice Hoffman, Ray Bradbury, and Isabel Allende.