Synopses & Reviews
Michel Foucault, Jean-Paul Sartre, Julia Kristeva, Phillipe Sollers, and Jean-Luc Godard. During the 1960s, a who's who of French thinkers, writers, and artists, spurred by China's Cultural Revolution, were seized with a fascination for Maoism. Combining a merciless exposé of left-wing political folly and cross-cultural misunderstanding with a spirited defense of the 1960s, The Wind from the East tells the colorful story of this legendary period in France. Richard Wolin shows how French students and intellectuals, inspired by their perceptions of the Cultural Revolution, and motivated by utopian hopes, incited grassroots social movements and reinvigorated French civic and cultural life.
Wolin's riveting narrative reveals that Maoism's allure among France's best and brightest actually had little to do with a real understanding of Chinese politics. Instead, it paradoxically served as a vehicle for an emancipatory transformation of French society. French student leftists took up the trope of "cultural revolution," applying it to their criticisms of everyday life. Wolin examines how Maoism captured the imaginations of France's leading cultural figures, influencing Sartre's "perfect Maoist moment"; Foucault's conception of power; Sollers's chic, leftist intellectual journal Tel Quel; as well as Kristeva's book on Chinese women--which included a vigorous defense of foot-binding.
Recounting the cultural and political odyssey of French students and intellectuals in the 1960s, The Wind from the East illustrates how the Maoist phenomenon unexpectedly sparked a democratic political sea change in France.
Review
Most accounts of 1968 in Paris are either bathed in nostalgia or marinated in disappointment. We are thus all in Richard Wolin's debt for his careful and dispassionate account of those years. is by far the best history I have read in any language of the Maoist moment in France. Sympathetic without being apologetic, Wolin is particularly deft at evaluating the heritage of France's controversial cultural revolution for contemporary politics. No one interested in the upheavals of the sixties should miss this book.
Review
Richard Wolin has written a fascinating account of the French Left's Maoist moment, which pays all due attention to its follies and fantasies, but also manages to capture and to value its liberating effects.
Review
A lively and engaged history, sure to provoke debate.
Review
The Wind From the East must be regarded as a monument of committed scholarship. It is also a fascinating chronicle of people who, however ludicrous they may seem at times, did on occasion think and act with profound seriousness. For that reason the book is a valuable addition to the literature of the era. -- David Gress, Wall Street Journal Even as he is documenting the delusions of the sixty-eighters--often with considerable wit, and with a seemingly encyclopedic familiarity--Wolin grants credence to their skewed perception of the status quo in France and in the West more generally. Disagreements and exasperations aside, I found this book compulsively readable. The history of Sixties is a long way from being exhausted. -- John Wilson, Books & Culture Wolin argues that fascination with the Great Proletarian Cultural Revolution reflected, not simply a taste for exoticism, but a delayed response to postwar capitalist modernisation. -- Scott McLemee, The National
Review
"
The Wind From the East must be regarded as a monument of committed scholarship. It is also a fascinating chronicle of people who, however ludicrous they may seem at times, did on occasion think and act with profound seriousness. For that reason the book is a valuable addition to the literature of the era."
--David Gress, Wall Street Journal
Review
"Wolin surveys a wide range of French intellectuals' responses to Mao's China. The best of these responses creatively appropriate the concept of cultural revolution, leading to a new libertarianism and to the embrace of causes such as gay rights, women's liberation, and prison reform; the worst of them became fatally compromised by a blind endorsement of the crimes of Chinese communism. . . . Wolin skewers irresponsible intellectual posturing in a manner reminiscent of the late Tony Judt, but reveals an underlying sympathy with the goals and ideals, if not always with the choices, of the Gauchistes. A masterful performance."
--Choice
Review
"Even as he is documenting the delusions of the sixty-eighters--often with considerable wit, and with a seemingly encyclopedic familiarity--Wolin grants credence to their skewed perception of the status quo in France and in the West more generally. Disagreements and exasperations aside, I found this book compulsively readable. The history of Sixties is a long way from being exhausted."
--John Wilson, Books and Culture
Review
"[A] fascinating and dispassionate account of one of the more curious follies of recent times."
--Jeremy Jennings, Standpoint
Review
"Wolin argues that fascination with the Great Proletarian Cultural Revolution reflected, not simply a taste for exoticism, but a delayed response to postwar capitalist modernisation."
--Scott McLemee, The National
Review
"Richard Wolin has provided us with an informative and readable account of a fascinating episode in twentieth-century French intellectual history, knowledgeably placing it into its wider biographical and political contexts."
--Moritz Föllmer, French History
Review
"
The Wind from the East tells the story of the '68 generation with a much needed awareness of the complexities of its intellectual odyssey. It is, in the end, a meditation of considerable depth on the formation of political judgments. As such, it is an important book, both within the field of French history and beyond."
--Michael C. Behrent, H-France Review
Review
The Wind From the East must be regarded as a monument of committed scholarship. It is also a fascinating chronicle of people who, however ludicrous they may seem at times, did on occasion think and act with profound seriousness. For that reason the book is a valuable addition to the literature of the era. David Gress
Review
[A] fascinating and dispassionate account of one of the more curious follies of recent times. John Wilson - Books - & - Culture
Review
The Wind from the East will be a rewarding and exciting reading for all those with an interest in French studies, politics, and intellectual history. Michael C. Behrent - H-France Review
Review
A National Public Radio (npr.org/blogs) John Wilson Favorite Book of the Year in Books and Culture for 2010
One of Financial Times's Best Books in History for 2012
Synopsis
How Maoism captured the imagination of French intellectuals during the 1960s
Michel Foucault, Jean-Paul Sartre, Julia Kristeva, Phillipe Sollers, and Jean-Luc Godard. During the 1960s, a who's who of French thinkers, writers, and artists, spurred by China's Cultural Revolution, were seized with a fascination for Maoism. Combining a merciless expos of left-wing political folly and cross-cultural misunderstanding with a spirited defense of the 1960s, The Wind from the East tells the colorful story of this legendary period in France. Richard Wolin shows how French students and intellectuals, inspired by their perceptions of the Cultural Revolution, and motivated by utopian hopes, incited grassroots social movements and reinvigorated French civic and cultural life.
Wolin's riveting narrative reveals that Maoism's allure among France's best and brightest actually had little to do with a real understanding of Chinese politics. Instead, it paradoxically served as a vehicle for an emancipatory transformation of French society. French student leftists took up the trope of cultural revolution, applying it to their criticisms of everyday life. Wolin examines how Maoism captured the imaginations of France's leading cultural figures, influencing Sartre's perfect Maoist moment; Foucault's conception of power; Sollers's chic, leftist intellectual journal Tel Quel; as well as Kristeva's book on Chinese women--which included a vigorous defense of foot-binding.
Recounting the cultural and political odyssey of French students and intellectuals in the 1960s, The Wind from the East illustrates how the Maoist phenomenon unexpectedly sparked a democratic political sea change in France.
Synopsis
"Wolin knows the contemporary French intellectual, political, and cultural scene, and he brings a fine balance of liberal sympathy for naive student enthusiasms and skeptical distaste for intellectual fashions and their cynical camp followers."--Tony Judt, author of "Postwar: A History of Europe since 1945"
"A lively and engaged history, sure to provoke debate."--Warren Breckman, University of Pennsylvania
Synopsis
"Most accounts of 1968 in Paris are either bathed in nostalgia or marinated in disappointment. We are thus all in Richard Wolin's debt for his careful and dispassionate account of those years. The Wind from the East is by far the best history I have read in any language of the Maoist moment in France. Sympathetic without being apologetic, Wolin is particularly deft at evaluating the heritage of France's controversial cultural revolution for contemporary politics. No one interested in the upheavals of the sixties should miss this book."--Tony Judt, author of Postwar: A History of Europe since 1945
"Richard Wolin has written a fascinating account of the French Left's Maoist moment, which pays all due attention to its follies and fantasies, but also manages to capture and to value its liberating effects."--Michael Walzer, Institute for Advanced Study
"The imperative to unify theory and practice has often led intellectuals down garden paths, perhaps none as hazardous as the one followed in the l960s by the French thinkers who embraced Mao's Cultural Revolution from afar. With understanding for their motivations, exasperation for their self-delusions, and appreciation for the unintended consequences of their actions, Richard Wolin recounts with sympathetic irony the follies and glories of intellectual commitment at its most extreme."--Martin Jay, University of California, Berkeley
"A lively and engaged history, sure to provoke debate."--Warren Breckman, University of Pennsylvania
Synopsis
Michel Foucault, Jean-Paul Sartre, Julia Kristeva, Phillipe Sollers, and Jean-Luc Godard. During the 1960s, a who's who of French thinkers, writers, and artists, spurred by China's Cultural Revolution, were seized with a fascination for Maoism. Combining a merciless exposé of left-wing political folly and cross-cultural misunderstanding with a spirited defense of the 1960s, The Wind from the East tells the colorful story of this legendary period in France. Richard Wolin shows how French students and intellectuals, inspired by their perceptions of the Cultural Revolution, and motivated by utopian hopes, incited grassroots social movements and reinvigorated French civic and cultural life.
Wolin's riveting narrative reveals that Maoism's allure among France's best and brightest actually had little to do with a real understanding of Chinese politics. Instead, it paradoxically served as a vehicle for an emancipatory transformation of French society. French student leftists took up the trope of "cultural revolution," applying it to their criticisms of everyday life. Wolin examines how Maoism captured the imaginations of France's leading cultural figures, influencing Sartre's "perfect Maoist moment"; Foucault's conception of power; Sollers's chic, leftist intellectual journal Tel Quel; as well as Kristeva's book on Chinese women--which included a vigorous defense of foot-binding.
Recounting the cultural and political odyssey of French students and intellectuals in the 1960s, The Wind from the East illustrates how the Maoist phenomenon unexpectedly sparked a democratic political sea change in France.
Synopsis
"Most accounts of 1968 in Paris are either bathed in nostalgia or marinated in disappointment. We are thus all in Richard Wolin's debt for his careful and dispassionate account of those years. The Wind from the East is by far the best history I have read in any language of the Maoist moment in France. Sympathetic without being apologetic, Wolin is particularly deft at evaluating the heritage of France's controversial cultural revolution for contemporary politics. No one interested in the upheavals of the sixties should miss this book."--Tony Judt, author of Postwar: A History of Europe since 1945
"Richard Wolin has written a fascinating account of the French Left's Maoist moment, which pays all due attention to its follies and fantasies, but also manages to capture and to value its liberating effects."--Michael Walzer, Institute for Advanced Study
"The imperative to unify theory and practice has often led intellectuals down garden paths, perhaps none as hazardous as the one followed in the l960s by the French thinkers who embraced Mao's Cultural Revolution from afar. With understanding for their motivations, exasperation for their self-delusions, and appreciation for the unintended consequences of their actions, Richard Wolin recounts with sympathetic irony the follies and glories of intellectual commitment at its most extreme."--Martin Jay, University of California, Berkeley
"A lively and engaged history, sure to provoke debate."--Warren Breckman, University of Pennsylvania
Synopsis
Michel Foucault, Jean-Paul Sartre, Julia Kristeva, Phillipe Sollers, and Jean-Luc Godard. During the 1960s, a who's who of French thinkers, writers, and artists, spurred by China's Cultural Revolution, were seized with a fascination for Maoism. Combining a merciless exposé of left-wing political folly and cross-cultural misunderstanding with a spirited defense of the 1960s,
The Wind from the East tells the colorful story of this legendary period in France. Richard Wolin shows how French students and intellectuals, inspired by their perceptions of the Cultural Revolution, and motivated by utopian hopes, incited grassroots social movements and reinvigorated French civic and cultural life.
Wolin's riveting narrative reveals that Maoism's allure among France's best and brightest actually had little to do with a real understanding of Chinese politics. Instead, it paradoxically served as a vehicle for an emancipatory transformation of French society. French student leftists took up the trope of "cultural revolution," applying it to their criticisms of everyday life. Wolin examines how Maoism captured the imaginations of France's leading cultural figures, influencing Sartre's "perfect Maoist moment"; Foucault's conception of power; Sollers's chic, leftist intellectual journal Tel Quel; as well as Kristeva's book on Chinese women--which included a vigorous defense of foot-binding.
Recounting the cultural and political odyssey of French students and intellectuals in the 1960s, The Wind from the East illustrates how the Maoist phenomenon unexpectedly sparked a democratic political sea change in France.
About the Author
Richard Wolin is Distinguished Professor of History, Comparative Literature, and Political Science at the City University of New York Graduate Center. His books, which include "Heidegger's Children" and "The Seduction of Unreason" (both Princeton), have been translated into ten languages. His articles and reviews have appeared in "Dissent, the Nation", and the "New Republic".
Table of Contents
Prologue ix
Introduction: The Maoist Temptation 1
Part I: The Hour of Rebellion
Chapter 1: Showdown at Bruay-en-Artois 25
Chapter 2: France during the 1960s 39
Chapter 3: May 1968: The Triumph of Libidinal Politics 70
Chapter 4: Who Were the Maoists? 109
Excursus: On the Sectarian Maoism of Alain Badiou 155
Part II: The Hour of the Intellectuals
Chapter 5: Jean-Paul Sartre's Perfect Maoist Moment 179
Chapter 6: Tel Quel in Cultural-Political Hell 233
Chapter 7: Foucault and the Maoists: Biopolitics and
Engagement 288
Chapter 8: The Impossible Heritage: From Cultural Revolution to Associational Democracy 350
Bibliography 371
Index 385