Synopses & Reviews
Synopsis
This fiction follow-up to Vertigo cements Joanna Walsh's reputation as one of the sharpest writers of this century. Wearing her learning lightly, Walsh's stories make us see the world afresh, from a freewheeling story on cycling (and Freud), to a country in which words themselves fall out of fashion - something that will never happen wherever Walsh is read.
Synopsis
Joanna Walsh is fast becoming one of our most important writers. --Deborah Levy
This collection cements Joanna Walsh's reputation as one of the sharpest writers of this century. Wearing her learning lightly, Walsh's stories make us see the world afresh, from a freewheeling story on cycling (and Freud), to a country in which words themselves fall out of fashion--something that will never happen wherever Walsh is read.
Joanna Walsh is the author of Hotel and Vertigo. She also writes literary criticism, edits at 3: AM and Catapult, and founded @read_women. She lives in Oxford, UK.
Synopsis
The much-anticipated fiction follow-up to Vertigo, this collection cements Joanna Walsh's reputation as one of the sharpest writers of this century. Wearing her learning lightly, Walsh's stories make us see the world afresh while showing us she has read the world. In 'Like a Fish Needs a ...' - perhaps the funniest, most freewheeling story ever written about cycling (and Freud and and and ...) you read shenanigans worthy of Flann O'Brien. Meanwhile, in 'Worlds from the Word's End', Walsh conjures up a country in which words themselves fall out of fashion - something that will never happen wherever Walsh is read.