Synopses & Reviews
Fin-de-siand#232;cle France was a period of unrest, with strikes, demonstrations, and anarchist terrorism reflecting deep social and political differences. Yet at the same time, this decade produced a vibrant visual cultureand#151;monumental sculpture, mural decoration, avant-garde painting, posters, illustrations, and photographyand#151;much of which was used to articulate Franceand#8217;s ideological arguments. This fascinating book shows how four key issues in social debate were treated by contemporary artists.
Richard Thomson begins by exploring disquieting attitudes toward the body and sexuality that resulted from Franceand#8217;s concerns about national decadence after its defeat in the Franco-Prussian War. He then considers how artists depicted crowds and represented public discomfort about mass unrest. Next he discusses religious imagery during a decade when the Catholic Church was attempting to come to terms with Republicanism. And finally he addresses the question of revenge against Germany for the annexation of Alsace-Lorraine, showing that it was kept alive in contemporary art.
Synopsis
This fascinating book examines how artists in fin-de-siand#232;cle France dealt with four hotly debated issues in society: national decadence, crowds and mass unrest, religious imagery, and revenge against Germany.
About the Author
Richard Thomson is Watson Gordon Professor of Fine Art at Edinburgh University.