Synopses & Reviews
The works that Henri Matisse (1869and#8211;1954) executed between late 1913 and 1917 are among his most demanding, experimental, and enigmatic. Often sharply composed, heavily reworked, and dominated by the colors black and gray, these compositions are rigorously abstracted and purged of nearly all descriptive detail. Although they have typically been treated as unrelated to one another, as aberrations within the artistand#8217;s oeuvre, or as singular responses to Cubism or World War I,
Matisse: Radical Invention, 1913and#8211;1917 reveals the deep connections among them and their critical role in an ambitious, cohesive project that took the act of creation itself as its main focus.
This book represents the first sustained examination of Matisseand#8217;s output from this important period, revealing fascinating information about his working method, experimental techniques, and compositional choices uncovered through extensive new historical, technical, and scientific research. The lavishly illustrated volume is published to accompany a major exhibition consisting of approximately 125 paintings, sculptures, drawings, and prints. It features in-depth studies of individual works such as Bathers by a River and The Moroccans, which Matisse himself counted as among the most pivotal of his career, and facilitates a greater understanding of the artistand#8217;s innovative process and radical stylistic evolution.
Review
"This catalogue marshals contemporary technology to reveal in even greater detail than Matisse could have imagined the extent of his astonishing artistic inventiveness during this brief yet critical period."and#8212;M. T. Simms, CHOICE
Review
"Richly informative. . . . Visually striking. . . . If you are a fan of Matisse and want to go inside his painstaking step-by-step artistic process, I urge you to buy the book and read its expert investigations."and#8212;Tom Mullaney, ArtsAndAbout.com
About the Author
Stephanie Dand#8217;Alessandro is theand#160;Gary C. and Frances Comer Curator of Modern Art at the Art Institute of Chicago. John Elderfield is the Chief Curator Emeritus of Painting and Sculpture at the Museum of Modern Art.