Synopses & Reviews
Chaos is coming, old son.
With those words the peace of Three Pines is shattered. Everybody goes to Oliviers Bistro—including a stranger whose murdered body is found on the floor. When Chief Inspector Gamache is called to investigate, he is dismayed to discover that Oliviers story is full of holes. Why are his fingerprints all over the cabin thats uncovered deep in the wilderness, with priceless antiques and the dead mans blood? And what other secrets and layers of lies are buried in the seemingly idyllic village?
Gamache follows a trail of clues and treasures—from first editions of Charlottes Web and Jane Eyre to a spiderweb with a word mysteriously woven in it—into the woods and across the continent, before returning to Three Pines to confront the truth and the final, brutal telling.
“Penny has been compared to Agatha Christie, [but] it sells her short.” --Booklist (starred review)
“An intricate, almost mythic plot, superb characters, and rich, dark humor.” --People
“Magic . . . [with] an elegance and depth not often seen.” --The New York Times Book Review
“If you dont give your heart to Gamache, you may have no heart to give.” --Kirkus Reviews (starred review)
“A treat for the mind and a lesson for the soul, this is a novel full of surprises.” --Richmond Times-Dispatch
The wise and beleaguered Chief Inspector Armand Gamache returns to Three Pines for the fifth book in Louise Penny's award-winning and critically revered mystery series
Chaos is coming, old son.
With those words the peace of Three Pines is shattered. Everybody goes to Olivier's Bistro--including a stranger whose murdered body is found on the floor. When Chief Inspector Gamache is called to investigate, he is dismayed to discover that Olivier's story is full of holes. Why are his fingerprints all over the cabin that's uncovered deep in the wilderness, with priceless antiques and the dead man's blood? And what other secrets and layers of lies are buried in the seemingly idyllic village?
Gamache follows a trail of clues and treasures--from first editions of Charlotte's Web and Jane Eyre to a spiderweb with a word mysteriously woven in it--into the woods and across the continent, before returning to Three Pines to confront the truth and the final, brutal telling.
As families prepare to head back to the city and children say goodbye to summer, a stranger is found murdered in the village bistro and antiques store. Once again, Chief Inspector Gamache and his team are called in to strip back layers of lies.
About the Author
Louise Penny, author of the New York Times bestselling Chief Inspector Gamache novels, worked as an award-winning journalist for the Canadian Broadcasting Corporation before leaving to write crime fiction. Her first mystery, Still Life, was the winner of the New Blood Dagger and the Arthur Ellis, Barry, Anthony, and Dilys Awards; and was also named one of the five Mystery/Crime Novels of the Decade by Deadly Pleasures magazine. Louise went on to become the first writer ever to win the Agatha Award for Best Novel four times, as well as an Anthony Award for The Brutal Telling and the Dilys, Arthur Ellis, Macavity, and Anthony Awards for Bury Your Dead. Her novels are bestsellers in the United States and Great Britain and have been translated into twenty languages. She lives with her husband, Michael, in a small village south of Montréal.
Reading Group Guide
Reading Group Questions for THE BRUTAL TELLING, by Louise Penny
1. A theme in this book, and many of Louise's books, is the difference between “truth” and “opinion.” Is it always important to tell the truth, no matter how brutal it may be?
2. Was Olivier really wrong to give Madame Poirier less money for her furniture than he knew it was worth? Isn't that what we all hope we'll find at antique shops or flea markets? A treasure? Would you do differently?
3. When Superintendent Thérèse Brunel asks Clara what she fears, she says, “Im afraid of not recognizing Paradise.” Thérèse responds, “So am I.” Why do you think they are both worrying about this, and can you connect such concerns to your own life?
4. How do you view the various assertions that Vincent Gilbert is a saint, especially when Gamache points out that “most saints were martyrs, and they took a lot of people down with them”? How would you feel about living with a saint?
5. For a moment Gamache himself feels the tug of greed and would love to slip one of the first editions into his pocket. What do you think of Gamache at that moment? Does it remind you of any temptations you yourself have faced?”
6. In the book Brunel and Gamache discuss where the finest example of a Haida totem pole is standing. Where is that, and what is the irony?
7. What was the final monster? The thing even the Mountain ran from, and that kept the Hermit hiding in his cabin? How do you think this applies to the various characters in the book?
8. Ruth puts Rosa into clothing. Why?
9. Was the Hermit happy, finally? Had he found peace? Could you live in the Hermit's cabin?
10. In the book Gamache quotes Thoreaus Walden: “I had three chairs in my house. One for solitude, two for friendship, three for society.” How many chairs would you have in your house?
11. What is the role of storytelling throughout the novel? What about poetry and other forms of art, from painting to sculpture and totem poles?
12. If Three Pines existed, would you move there? How do you think the community will weather the events of this story?