Synopses & Reviews
This book is born out of two contradictions: first, it explores the making of meaning in a musical form that was made to lose its meaning at the turn of the nineteenth century; secondly, it is a history of a music that claims to have no history - absolute music. The book therefore writes against that notion of absolute music which tends to be the paradigm for most musicological and analytical studies. It is concerned not so much with what music is, but with why and how meaning is constructed in instrumental music and what structures of knowledge need to be in place for such meaning to exist. From the thought of Vincenzo Galilei to that of Theodore Adorno, Daniel Chua suggests that instrumental music has always been a critical and negative force in modernity, even with its nineteenth-century apotheosis as 'absolute music'.
Review
"Wonderful...remarkable...This review cannot hope to indicate the richness of insight on any given page of this book, the wealth of surefooted detail with which Fisk weaves each piece into his story." 19th Century Music"This is a book that should inspire enthusiasm for extramusical approaches to absolute music." Notes"With some confidence, one can say that this book bears the marks of scholar of great force and personality whose best work lies in the future." Catholic Library World
Table of Contents
List of illustrations; Acknowledgements; On the preface; Part I. The Garden of Eden: 1. On history; 2. On modernity; 3. On disenchantment; 4. On division; 5. On opera; 6. On machines; 7. On space; 8. On style; Part II. The Fruit of Knowledge: 9. On being; 10. On the mind; 11. On biology; 12. On the body; 13. On the soul; 14. On morality; 15. On women; 16. On masculinity; 17. On independence; 18. On heroes; 19. On politics; 20. On nothing; 21. On God; 22. On infinity; 23. On self-deification; 24. On invisibility; 25. On conscious life-forms; 26. On artificiality; Part III. The Tower of Babel: 27. On death; 28. On absolute music; 29. On the beautiful and the sublime; 30. On monuments; 31. On the apocalypse; 32. On the end; 33. On suicide; 34. On absolute drivel; 35. On Babel; Bibliography; Index.