Synopses & Reviews
B.S. Johnson is increasingly a crucial figure in the ongoing reassessment of the literary scene since the Second World War. He is central to the generation from which he came (he has even been called by his biographer, Jonathan Coe, the 'one man avant-garde of the nineteen-sixties'), but he is also pivotal in wider contexts; his brand of experimental writing reaches back to Beckett and Joyce, transcends national boundaries in its kinship with avant garde continental writing, and gestures forward to a strand of contemporary literature that is similarly preoccupied with form, constraint, difficulty, and truth. B.S. Johnson and Post-War Literature builds on the growing interest in Johnson, and seeks to continue the work of recovering him, and the wider circle of sixties 'experimentalists' of which he was a part, from the marginalisation that this term sometimes implies, through the delineation of his historical, political and literary contexts.
Synopsis
A collection of essays on the 1960s experimental writer B.S. Johnson, this book draws together new research on all aspects of his work, and, in tracing his connections to a wider circle of continental, British and American avant-garde writers, offers exciting new approaches to reading 1960s experimental fiction.
About the Author
Julia Jordan is a Lecturer in English at UCL, UK. She is the author of Chance and the Modern British Novel (2010), and co-edited (with Jonathan Coe and Philip Tew) Well Done God!, the B.S. Johnson anthology (2013). She is currently working on a book about accidents in the post-1945 novel.
Martin Ryle is Reader in English at the University of Sussex, UK. His interests and publications include recent and contemporary British and Irish fiction and questions of culture, consumption and the environment.
Table of Contents
Notes on Contributors
Introduction; Julia Jordan
PART I: JOHNSON IN HIS TIME: INFLUENCES AND CONTEMPORARIES
1. Early Influences and Aesthetic Emergence: Travelling People (1961), Albert Angelo (1964), Trawl (1966) and The Unfortunates (1969); Philip Tew
2. Johnson and the nouveau roman: Trawl and other Butorian Projects; Adam Guy
3. 'Like Loose Leaves in the Wind': Identification and Character in The Unfortunates and Composition No. 1; Greg Buchanan
4. B. S. Johnson and the Aleatoric Novel; Sebastian Jenner
5. Cell of One: B. S. Johnson, Christie Malry and The Angry Brigade; Joseph Darlington
6. 'Educated and intelligent, if down-at-heel': John Wain's Hurry On Down and B. S. Johnson's Albert Angelo; Martin Ryle
PART II: JOHNSON OUT OF TIME: THE PERSISTENCE OF MODERNISM
7. Antepostdated Johnson; Rod Mengham
8. Evacuating Samuel Beckett and B.S. Johnson; Julia Jordan
9. The Sadism of the Author or the Masochism of the Reader?; Glyn White
10. Sex, Lies and Autobiografiction: Travelling People and the Persistence of Modernism; Nick Hubble
11. 'Make of Them What You Will': The Short Prose Pieces of B. S. Johnson; Paul Vlitos
12. B. S. Johnson, Giles Gordon and a 'New Fiction': The Book, the Screen and the E-book; David Hucklesby
Index