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City on Fire

by Garth Risk Hallberg
City on Fire

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ISBN13: 9780385353779
ISBN10: 0385353774
Condition: Standard
DustJacket: Standard

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Staff Pick

This ambitious first novel set in 1970s New York City features an array of fascinating characters from a variety of backgrounds with entangled connections, agendas, and stories — with a mystery at its core. City on Fire is an engaging snapshot of a place in time, and a dazzling debut of epic proportions. Recommended By Jen C., Powells.com

Synopses & Reviews

Publisher Comments

New York City, 1976. Meet Regan and William Hamilton-Sweeney, estranged heirs to one of the city’s great fortunes; Keith and Mercer, the men who, for better or worse, love them; Charlie and Samantha, two suburban teenagers seduced by downtown’s punk scene; an obsessive magazine reporter and his idealistic neighbor — and the detective trying to figure out what any of them have to do with a shooting in Central Park on New Year’s Eve.
 
The mystery, as it reverberates through families, friendships, and the corridors of power, will open up even the loneliest-seeming corners of the crowded city. And when the blackout of July 13, 1977, plunges this world into darkness, each of these lives will be changed forever.
 
City on Fire is an unforgettable novel about love and betrayal and forgiveness, about art and truth and rock ’n’ roll: about what people need from each other in order to live... and about what makes the living worth doing in the first place.

Review

“A remarkably assured, multivalent tale...an epic panorama of musicians, writers, and power brokers and the surprising ways they connect....At times the novel feels like a metafictional tribute to America’s finest doorstop manufacturers, circa 1970 to the present: Price (street-wise cops), Wolfe (top-tier wealth), Franzen (busted families), Wallace (the seductions of drugs and pop culture), and DeLillo (the unseen forces behind everything)....As his various plotlines braid tighter during the July 1977 blackout, his novel becomes an ambitious showpiece for just how much the novel can contain without busting apart.” Kirkus Reviews (starred)

Review

“Completely engrossing....This magnificent first novel is full to bursting with plot, character, and emotion, all set within an exquisitely grungy 1970s New York City....Graceful in execution, hugely entertaining, and most concerned with the longing for connection, a theme that reaches full realization during the blackout of 1977, this epic tale is both a compelling mystery and a literary tour de force.”  Booklist (starred)

Review

“Epic, well-written, and highly entertaining....Throughout, Hallberg expertly handles the multiple shifts in perspective, vibrantly portraying a specific time and place and creating memorable characters.”  Library Journal (starred)

Review

“Good news for the American novel: City on Fire lives up to the hype. It’s a sprawling, deeply lived-in, thoroughly accessible fresco in the tradition of Dickens.” Dallas Morning News

Review

“Thrilling...brings gritty 1970s Manhattan to life....A kind of punk Bleak House....An exuberant, Zeitgeisty New York novel, like The Bonfire of the Vanities, The Emperor’s Children, or The Goldfinch.”  Megan O’Grady, Vogue

Review

“To a person who did live in New York in the nineteen-seventies — to wit, this person — Hallberg’s powers of evocation are uncanny  . . . It’s not the facts that bring the nineteen-seventies to life in City on Fire. What Hallberg is after is an atmosphere, and he gets it.” Louis Menand, The New Yorker

Review

“Hallberg writes with style and sophistication about everything from urban decay and punk rock to domestic terrorism and the dissolution of the nuclear family, seamlessly melding disparate character arcs, and deploying a host of storytelling modes in the process....It’s exciting to see a writer start his career with such an extravagant display of talent and assurance.” San Francisco Chronicle

Review

“Locating the best of times within the worst of times is no mean trick, especially in a historical novel where the history is recent enough that many readers remember firsthand just how bad those times were. That’s the delicate and ultimately moving balancing act that Garth Risk Hallberg pulls off in City on Fire....His talent is as conspicuous as the book’s heft. There’s rarely a less than finely honed sentence or a moment when you don’t feel that a sophisticated intelligence is at work....[The climax] is a tour de force.” Frank Rich, New York Times Book Review

Review

“Dazzling....City on Fire is an extraordinary performance.... Hallberg inhabits the minds of whites and blacks, men and women, old and young, gay and straight with equal fidelity... making every one of them thrum with real life....And what endlessly fascinating characters they are!...[The novel’s] Whitmanesque arms embrace an entire city of lovers and strivers, saints and killers.” Ron Charles, Washington Post

Review

“The year’s most exciting fiction debut....A book that is truly that great, rare thing: a wholly inhabitable universe, reflecting back our lives while also offering an exhilarating escape from them.” Rolling Stone

Review

“A novel of head-snapping ambition and heart-stopping power — a novel that attests to its young author’s boundless and unflagging talents.” Michiko Kakutani, New York Times

About the Author

Garth Risk Hallberg was born in Louisiana and grew up in North Carolina. His writing has appeared in Prairie Schooner, The New York Times, Best New American Voices 2008, and, most frequently, The Millions; a novella, A Field Guide to the North American Family, was published in 2007. He lives in New York with his wife and children.

Garth Risk Hallberg on PowellsBooks.Blog

Very early on — it's hard to say which is the chicken and which is the egg — I was a voracious reader. Reading was not just an escape or a Band-Aid; it was a deep form of feeling seen and recognized, and being able to see and recognize other kindred spirits...

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Average customer rating 3.5 (2 comments)

`
Lukas , November 21, 2015 (view all comments by Lukas)
You really have to question people who give a 5 star review to a debut novel. And just because a book is long (900 pages) does not make it epic. Garth Risk Hallberg (cool name bro) shoots for GAN (Great American Novel) status with his first book, but falls epically short. Dude got a two million advance for this. Two million! I think he should use some of that money to pay people who made it through this self-important, bloated, and ultimately contrived and tedious novel. You're eyes will be on fire from slogging through so many pages.

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SeattleBookMama , October 03, 2015 (view all comments by SeattleBookMama)
Luminous, epic, and brilliantly scribed, City of Fire is the buzz book of the year. I would be hard pressed to find a story of greater genius published this century. Those that love literature have to read this book. It will be available to the book-buying public October 13. I received my copy early from Knopf Doubleday Publishers and Net Galley in exchange for an honest review. In doing so, I feel as if I struck oil. The story, some 992 pages of it, is a complex story, and like an onion, the reader can decide how many layers of interpretation they wish to uncover. What the reader cannot do, however, is skim, or make the story make sense without reading it in its entirety. It is the thing that makes this story great that makes it complicated, and so those that lack the stamina for a book this length will probably not find it fulfilling. A college-ready literacy level is required in order to understand it. First, the reader will want to know who committed the act of violence that sets so many things into motion, and how the planned escalation by her friends will unfold. But ultimately, the story is a much broader one, and its genius is in the way each character, even its most peripheral ones, is developed, usually within the same space that the setting is described, and how both of these things drive the plot forward rather than slowing it down. This reviewer came away with hundreds of flagged pages, eloquent quotes, and fifty notes to myself, most of which say exactly that; in fact, eventually I was too engrossed in the story to write a full note anymore, and began using “ch dev, setting” as a shorthand that meant, look! He’s done it again! And by the 80 percent mark, the author had so consistently developed so many characters that I began to ask myself who had not yet been included. Those I watched for were also developed by the conclusion. In looking for a writer’s purpose, it’s easy to choose one part or another of a storyline and home in on that, and it’s particularly dangerous when the writer touches upon one’s own particular fond subject, or one’s own pet peeve. In her memoir, Amy Tan remarks upon having stumbled upon a set of Cliff Notes for her own first novel, and discovering that she had intended as metaphor or message passages that actually, she had included for the sake of telling a good story. It’s a cautionary reminder here. If we want to know the author’s purpose and we aren’t sure, we should probably just ask him. Yet the emphasis on the city, and the development of the characters, seems to point to one thing above all else: “I see you”. For though the author includes the diverse races, genders, ethnicities, and classes that make up a great cosmopolitan city, the story isn’t really about race, and it isn’t really about being gay or straight, and it isn’t really about the entitlement that comes of great wealth and capitalism unfettered, or anarchy and cataclysmic change, or cops, or the disabled, or addiction, or any of the story’s other facets. Rather, each is a foil to show the common humanity of all. And at a time such as this one, with our social fabric strained and our political ideas polarized, it isn’t such a bad thing, I think, to have an author come forward and say, in a way far more compelling than anyone else has managed to do for decades, that we are all of us just people, after all. All of us will grow old or sick or both, and eventually die. All of us will grieve. Most of us will be injured, and we will forgive it to the extent that we are able. And if any of that sounds trite, it is only my own failing in this review rather than the author’s work, which is breathtaking in its scope and mesmerizing in its capacity to weave so many threads and perspectives into one intricate, flawless story. If you read one great book this year, let this be it.

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Product Details

ISBN:
9780385353779
Binding:
Hardcover
Publication date:
10/13/2015
Publisher:
Knopf Publishing Group
Pages:
903
Height:
9.50
Width:
6.75
Thickness:
1.75
Author:
Garth Risk Hallberg
Subject:
Literature-A to Z

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