Synopses & Reviews
Anne Hatley is a twenty-five-year-old spitfire from the South, born with a genetic mutation: She has only one leg and walks with a computerized limb. Looking for an escape from the drudgery of work and the fiance who bores and irritates her more than makes her happy, Anne hopes to make easy money off her genes by accepting an invitation from a research colony in Cold Spring Harbor, New York. Scientists there--DNA pioneer James D. Watson among them--are looking to develop a groundbreaking cure and make Anne the first patient to generate a new leg. Anne feels fine the way she is. But after years of casual cruelty at the hands of her peers, and three months of observation by callous doctors playing on her every insecurity, she capitulates. While in residence, Anne drifts into a relationship with the rakish Nick, carrier of the suicide gene; becomes friends with Charles Darwin, who inexplicably pops up for chats when she's distressed; and comes to terms with her first love, a married man she's nicknamed Old Faithful. Meanwhile, she questions what it means to change from one physical form to another and becomes increasingly uncomfortable with the societal pressure to do so.
Praise for The Colony
"Jillian Weise is a troublemaker. We need more writers like her, more novels like her hilarious, deeply moving, sexy, scary novel The Colony, which is about gene therapy, Watson and Crick, excessive alcohol consumption and cigarette smoking, mortality, finding love, finding a home, finding family, and all the other doomed experiments we conduct in the hope in making a better human." Brock Clarke, author of An Arsonist's Guide to Writers' Homes in New England
"The Colony is howlingly funny and deeply sad. It is touching and toweringly angry. It is melancholy and lavishly sexual. It is uniquebut it speaks with graceful force to everyone. I read many novels and forget many, but I will never forget what Jillian Weise has so brilliantly set down. Neither will you. Please try it. You will thank me." Fred Chappell, author of Shadow Box and former poet laureate of North Carolina
"Part Wellsian dystopia, part medical mystery, part Hawthornian allegory, and part reality show, The Colony is a potent exploration of ethics in the Age of the Genome. But Weise's novel is not merely an exceedingly smart and formally elegant novel of ideasit is also a deeply compelling character-driven drama. Anne Hatley's voice is irresistiblewitty, assured, sexy, righteous, wounded. The Colony is a tremendous success, one of the most exciting first novels in recent memory." Chris Bachelder, author of Bear v. Shark and U.S.!
"A debut that should be cause for much rejoicing. Jillian Weises The Colony does everything that fans of the traditional novel look for: its a coming-of-age tale, a razor-sharp comedy of eros, a meditation on 'disability' and the misguided ways in which we purport to 'fix' it, a scorched-earth denunciation of eugenics. And Anne Hatleyvulnerable and strong in equal measure, delightfully cranky, conflictedis one of the most memorable protagonists in recent American fiction. But the novels triumph is that it accomplishes all these things without ever stooping to conventionality. Endlessly inventive, The Colony features tête-à-têtes with Charles Darwin in Applebees, mermaids bred from dugongs and kept in a water tower by one of the co-discoverers of DNA, a woman whose 'fat gene' is being treated in a way that eventually requires her to be tethered to earth. Weises grace, wit, and imaginative fearlessness mark her as a writer to be reckoned with for the long haul. The Colony is clever and playful, yes, but theres no mistaking this for whimsyWeises is a playfulness backed by steel." Michael Griffith, author of Spikes
Praise for The Amputee's Guide to Sex
"Readers who can handle the hair-raising experience of Jillian Weise's gutsy poetry debut . . . will be rewarded with an elegant examination of intimacy and disability and a fearless dissection of the taboo and the hidden." Los Angeles Times
"The poems . . . perform an earthy, flamenco-like stomp and full-throated Whitmanesque song (the extended remix), reaching notes as daring and feeling as crushingly good-looking." Major Jackson, author of Hoops and Leaving Saturn
"Im convinced these are the kind of poems that change a readers life." A. Van Jordan, author of M-A-C-N-O-L-I-A
"With deadpan heartbreak and powerful invention, Jillian Weise raids the border-territories between the human body and the arts, creating in her poetry a devastating imaginary space . . . This is a lovely and unsettling debut." Josh Bell, author of No Planets Strike
"In her charged and daring verse debut, Weise artfully interweaves biographical details with meditations on the history of disability and sex . . . An agile and powerful poet, Weise references medical literature, history and poetry, speaking boldly and compassionately about a little-discussed subject that becomes universal in her careful hands." Publishers Weekly (starred review)
Eugenics, body horror, eros, and medical ethics collide is this "ambitious, provocative, and wildly inventive" dystopian satire (Publishers Weekly).
Anne Hatley is a sharp-witted and acerbic young teacher in need of a reprieve from the drudgery of work and a tedious relationship. She accepts an invitation to the nation's largest research colony, where DNA pioneer James D. Watson hopes to "cure" Anne of a rare gene that affects her bone growth: She is missing a leg, and walks with a prosthesis. Though getting along fine, she's being pressured to pioneer an experimental procedure, and be the first patient to generate a new limb. As Anne falls into a reluctant romance with a fellow colonist--the rakish possessor of the "suicide gene"--and consults a resurrected Charles Darwin and a dugong-bred mermaid, Anne must first come to terms with who she is, before she ever dares to decide who she can become.
"Part Wellsian dystopia, part medical mystery, part Hawthornian allegory, and part reality show, The Colony is a potent exploration of ethics in the Age of the Genome (Chris Bachelder, author of The Throwback Special). It's also a "hilarious, deeply moving, sexy, scary novel . . . about finding love, finding a home, finding family, and all the other doomed experiments we conduct in the hope in making a better human" (Brock Clarke, author of The Price of the Haircut).
Anne Hatley is a sharp-witted and acerbic young teacher from the South, in need of a reprieve from the drudgery of work and an increasingly tedious relationship. She accepts an invitation to the nations largest research colony, where scientistsDNA pioneer James D. Watson among themhope to cure” Anne of a rare gene that affects her bone growth: She is missing a leg and walks with a prosthesis. Anne feels fine the way she is, and she strives to maintain her resolve under pressure from her peers and from doctors eager to pioneer an experimental procedure, which would make her the first patient to generate a new leg. Meanwhile, she falls into a reluctant romance with the rakish Nick, possessor of the suicide gene”; befriends Charles Darwin, who is on site digging through the eugenics archive; and attempts to come to terms with her first love.
The Colony is the story of one young woman struggling to accept who she is, and who she will become. But it is also a novel that mines some of the most polarizing issues of our timeamong them, medical ethics, body image, and genetic engineering.