Awards
Shortlisted for the 2001 Booker Prize
Synopses & Reviews
Rachel Seiffert's absorbing, internationally acclaimed debut explores the modern German psyche through the experiences of three ordinary people.
At the onset of World War II, a young photographer's assistant is kept out of the war due to a physical disability, and instead spends his time capturing on film the changing temper of Berlin, the city he loves. Just weeks after Germany's surrender, a teenage girl whose parents have been taken into allied custody leads her siblings on a harrowing journey to find their grandmother. And two generations after the war, a teacher searches for the reason why the Russians imprisoned his beloved grandfather. Evoking the experiences of the individual with astonishing emotional depth and psychological acuity, The Dark Room develops a portrait of the twentieth century in all its drama and complexity.
Review
"Seiffert's deliberately dispassionate narrative works to capture the rigid and self-righteous convictions of Germany's general population....[This] tale gives a more complete, comprehensible picture of incomprehensible evil." Publishers Weekly
Review
"[An] ambitious and powerful first novel....Seiffert writes lean, clean prose. Deftly, she hangs large ideas on the vivid private experiences of her principal characters..." David Sacks, The New York Times Book Review
Review
"This lyrical debut collection of novellas explores the experience of 'ordinary' Germans...and poses questions about the country's psychological and political inheritance with rare insight and humanity." The New Yorker
Review
"Seiffert gives us pictures as evocative as they are ghostly, as fragmented as they are telling. The novel unfolds as a triptych...[of] ordinary people...whom Seiffert brilliantly captures in her lens." The Los Angeles Times
Review
"A novel about the German soul in the 20th century, this debut work stuns with its simplicity of style and hugeness of subject." The Philadelphia Inquirer
Review
"[P]owerful and elegant....Exceptional book, recommended for senior high school students, advanced students, and adults." KLIATT
Review
"Each of these compelling, wholly believable stories lends additional perspective to our understanding of the period." Library Journal
Review
"Rachel Seiffert writes movingly about three generations of Germans confined by selective blindness and silence: a patriotic photographer who limits his vision to the eye of the camera; a courageous refugee girl who stays focused on her own family's suffering; and a teacher who is compelled and yet terrified to pursue his search for the truth. Outstanding." Ursula Hegi, author of Stones from the River
Review
"Rachel Seiffert's storytelling is completely absorbing and finally overwhelming in its detail, its relentless action, and its beautiful, shy eloquence. The Dark Room, in its strategies for approaching the unwatchable, the unseeable, is brilliant, and in its closing pages, it brings to light a set of images that no reader is ever likely to forget." Charles Baxter, author of The Feast of Love
Synopsis
Rachel Seifferts absorbing, internationally acclaimed debut explores the modern German psyche through the experiences of three ordinary people.
At the onset of World War II, a young photographers assistant is kept out of the war due to a physical disability, and instead spends his time capturing on film the changing temper of Berlin, the city he loves. Just weeks after Germanys surrender, a teenage girl whose parents have been taken into allied custody leads her siblings on a harrowing journey to find their grandmother. And two generations after the war, a teacher searches for the reason why the Russians imprisoned his beloved grandfather. Evoking the experiences of the individual with astonishing emotional depth and psychological acuity, The Dark Room develops a portrait of the twentieth century in all its drama and complexity.
About the Author
Rachel Seiffert was born in England in 1971 and now lives in Germany.
Reading Group Guide
Rachel Seiffert’s absorbing, internationally acclaimed debut explores the modern German psyche through the experiences of three ordinary people.
At the onset of World War II, a young photographer’s assistant is kept out of the war due to a physical disability, and instead spends his time capturing on film the changing temper of Berlin, the city he loves. Just weeks after Germany’s surrender, a teenage girl whose parents have been taken into allied custody leads her siblings on a harrowing journey to find their grandmother. And two generations after the war, a teacher searches for the reason why the Russians imprisoned his beloved grandfather. Evoking the experiences of the individual with astonishing emotional depth and psychological acuity,
The Dark Room develops a portrait of the twentieth century in all its drama and complexity.
1. What does Seiffert imply about the relationship of the individual to the atrocities? Do Helmut, Lore and Micha’s responses to their situations differ according to their proximity to the events?
2. ‘I am a camera. I see the world from one particular standpoint, and my interpretation of events is based on that view.’ To what extent can this metaphor be used to describe the novel?
3. The Dark Room has been described by The Guardian as ‘cold and devoid of emotional involvement’. Do you agree? Do the three-part structure and the prose style of the novel add or detract from the emotional pull of the story?
4. "The novel ends on a note of optimism. The truth has been confronted and, with the birth of a child, Seiffert holds out the hope that the shadows of the past may be about to lift" (Sunday Telegraph). Do you see this book as a redemptive novel?
5. How does Seiffert’s investigation of the most difficult moral issues of the past century -- the legacy of atrocity -- challenge our prejudices and preconceptions about the Nazi era?
6. Each of us is an individual; each of us has individual responsibility for our own actions. Each of us is also a member of a family, of families; each of us is a citizen of a state, a member of a nation. Can we, must we, take responsibility for them, for their actions too?
1. What does Seiffert imply about the relationship of the individual to the atrocities? Do Helmut, Lore and Michas responses to their situations differ according to their proximity to the events?
2. ‘I am a camera. I see the world from one particular standpoint, and my interpretation of events is based on that view. To what extent can this metaphor be used to describe the novel?
3. The Dark Room has been described by The Guardian as ‘cold and devoid of emotional involvement. Do you agree? Do the three-part structure and the prose style of the novel add or detract from the emotional pull of the story?
4. "The novel ends on a note of optimism. The truth has been confronted and, with the birth of a child, Seiffert holds out the hope that the shadows of the past may be about to lift" (Sunday Telegraph). Do you see this book as a redemptive novel?
5. How does Seifferts investigation of the most difficult moral issues of the past century -- the legacy of atrocity -- challenge our prejudices and preconceptions about the Nazi era?
6. Each of us is an individual; each of us has individual responsibility for our own actions. Each of us is also a member of a family, of families; each of us is a citizen of a state, a member of a nation. Can we, must we, take responsibility for them, for their actions too?