Synopses & Reviews
Professor Franco Moretti argues heretically that literature scholars should stop reading books and start counting, graphing, and mapping them instead. He insists that such a move could bring new luster to a tired field, one that in some respects is among “the most backwards disciplines in the academy.” Literary study, he argues, has been random and unsystematic. For any given period scholars focus on a select group of a mere few hundred texts: the canon. As a result, they have allowed a narrow distorting slice of history to pass for the total picture.
Moretti offers bar charts, maps, and time lines instead, developing the idea of “distant reading,” set forth in his path-breaking essay “Conjectures on World Literature,” into a full-blown experiment in literary historiography, where the canon disappears into the larger literary system. Charting entire genres—the epistolary, the gothic, and the historical novel—as well as the literary output of countries such as Japan, Italy, Spain, and Nigeria, he shows how literary history looks significantly different from what is commonly supposed and how the concept of aesthetic form can be radically redefined.
A manifesto for a text-free literary scholarship.
About the Author
Franco Moretti teaches literature at Stanford, where he directs the Literary Lab. He is the author of Signs Taken for Wonders, The Way of the World, Modern Epic, Atlas of the European Novel 1800–1900, and Graphs, Maps, Trees as well as chief editor of The Novel.Alberto Piazza is Professor Human Genetics at the Medical School of Turin University. He is a co-author of the History and Geography of Human Genes.