Synopses & Reviews
1938. Hampstead, London. Sigmund Freud has fled Nazi-occupied Austria and settled in leafy Swiss Cottage. At eighty-two-years-old, he aims to spend his final days in peace. However, when Salvador Dalí turns up to discover a less-than-fully dressed woman in the closet, peace becomes somewhat elusive . . .
An acknowledged modern classic, Terry Johnsons hilarious farce explores the fall-out when two of the twentieth centurys most brilliant and original minds collide. It touches on many themes including Nazi Germany, the Surrealist movement, Judaism, Freuds theories of the unconscious mind, family relationships, life and death, and love and loss.
Johnson's celebrated play raises intriguing questions about Freuds radical revision of his theories of hysteria.
Synopsis
1939. Sigmund Freud's couch, Sigmund Freud's antiquities and Sigmund Freud have been ignominiously shipped from Nazi-occupied Vienna to a quiet Hampstead suburb, where he hopes to spend his last days in peace. So why is he burning his latest publication? Why is he being berated by Salvador Dali? Why is there a naked woman in his closet? And why is he close to hysteria?
Synopsis
"Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety" (Guardian)
In Hysteria one of Freud's earliest "cases" returns to haunt the psychoanalyst but finds Salvador Dali hiding in the cupboard. It is "one of the most brilliantly original and entertaining new plays I have seen in years: wild, weird and funny, serious, compassionate and shocking, blasphemous and reverential, intellectual and frivolous, a factual fantasy, a demented farce, a black nightmare." (Sunday Times)
Synopsis
In Hysteria one of Freud's earliest "cases" returns to haunt the psychoanalyst but finds Salvador Dali hiding in the cupboard. It is "one of the most brilliantly original and entertaining new plays I have seen in years: wild, weird and funny, serious, compassionate and shocking, blasphemous and reverential, intellectual and frivolous, a factual fantasy, a demented farce, a black nightmare." (Sunday Times)
About the Author
Terry Johnson's work as a playwright includes a version of Edward Ravenscroft's The London Cuckolds, Dead Funny, and Hysteria. He is the recipient of major British theatre awards including Playwright of the Year 1995; Critics' Circle Best New Play 1995; Writers' Guild Best West End Play 1995; Olivier Award Best Comedy 1994; the Meyer-Whitworth Award 1993; and the John Whiting Award 1991. He also won the 2010 Tony Award for Best Director of a Musical for his production of La Cage aux Folles. His play Piano/Forte premiered at the Royal Court Jerwood Theatre Downstairs in 2006.