Synopses & Reviews
Synopsis
1. Introduction.- 2. Who Speaks
Here?: Jean-Luc Godard's 'Militant Filmmaking' (1967-1974).- 3.
Elsewhere: Dialogue of Points of View: Jean-Luc Godard and Tiersmondisme .- 4. Technique and Montage: Saying, Seeing and Showing the Invisible .- 5. Representing the Unrepresentable: Restitution, Archive, Memory .- 6. Conditions of Visuality and Materialist Film at the Eve of the 21
st Century.- 7. Conclusion.
Synopsis
Dispels the myth that Jean Luc Godard's work ceased to be concerned with politics after the 1970s
Investigates Godard's political filmmaking in the context of Thirdworldism and anti-imperialism
Highlights Godard's on-going exploration on the stakes of aesthetic-political representation
Engages with Godard's controversial juxtaposition between the Shoah and the Nakba