Synopses & Reviews
Acclaimed poet Susan Wheeler, whose last individual collection predicted the spiritual losses of the economic collapse, turns her attention to the most intimate of subjects: the absence or loss of love. A meme is a unit of thought replicated by imitation; examples of memes, Richard Dawkins wrote, “are tunes, ideas, catch-phrases, clothes fashions, ways of making pots or of building arches.” Occupy Wall Street is a meme, as are internet ideas and images that go viral. What could be more potent memes than those passed down by parents to their children?
Wheeler reconstructs her mother’s voice—down to its cynicism and its mid twentieth-century midwestern vernacular—in “The Maud Poems,” a voice that takes a more aggressive, vituperative turn in “The Devil—or—The Introjects.” In the book’s third long sequence, a generational inheritance feeds cultural transmission in “The Split.” A set of variations on losses and break-ups—wildly, darkly funny throughout and, in places, devastatingly sad—“The Split” brings Wheeler’s lauded inventiveness, wit, and insight to the profound loss of love. One read, and the meme “Should I stay or should I go?” will be altered in your head forever.
Review
"In Meme, the traditional elegy dissolves into excited bursts of imitated idiomatic speech interwoven with writing from a different register—the coolly removed, self-insightful lyric. That the elaborately constructed edifice that is personality can be reconstructed with such fascinating economy and delightful indirection is amazing. These poems are pure poetic genius."—Mary Jo Bang, author, The Bride of E
Review
"Meme is a haunted work. We are ushered in by the disembodied voice of a mother figure, scolding and teasing in the time-stamped slang of past decades. The anachronism is both funny and terribly sad. 'Don't come in here all bright-eyed and bushy-tailed,' the voice says. And it turns out that's fair warning. This cracked Virgil leads us into a consciously Dantean underworld ('Had you entered the thicket in darkness / . . . Had you been mid-life, not in haze but in crisis?'). Wheeler has created a total (and to me terrifying) linguistic environment in which hell is the introjected voices of other people, the hungry ghosts of our recent past."—Rae Armantrout, author, Money Shot
Review
Praise for previous books:
“Wheeler accomplishes something no one has done before, bringing all her interests and influences together to make poems that reflect an America no one else has seen . . . of how love in America might work: we never get enough, and . . . what we need is distraction, busywork, stuff to consume.”—Craig Morgan Teicher, Yale Review
Review
“I have rarely encountered a young poet whose work was so completely its own thing, was so little influenced by what trend might be elbowing itself forward on the writing campuses. Osman is a worldly and acutely sensitive writer who knows how to reach right through the sequined veil of fashion and put her hand squarely on the readers heart, with frank and candid expression, with unaffected wonder.”—from Ted Koosers preface to Ladan Osmans chapbook,
Ordinary Heaven
Review
“[Ladan Osman] writes out of a passion for language, out of a compelling pleasure and challenge in the potential of the voice to humanize us, or perhaps even better, to affirm our humanity. Osman is a warrior poet, and she is dangerous because she is especially gifted and disciplined about her craft, her technical facility with the poem. This collection offers numerous examples of this skillfulness.”—from the foreword by Kwame Dawes
Review
“Connie Wanek’s beautiful poems travel effortlessly among our various realms—the human, the natural, and the cosmic, inhabited by gods who may have some resemblance to ourselves. The light is wonderfully clear in these accounts, as is the darkness, each one illuminating the other.”—Charles Baxter, author of There’s Something I Want You to Do
Review
“Connie Wanek is one of the best poets of our time, and this new book, Rival Gardens, certainly demonstrates that. These selections . . . are works of wit and subtlety, of clarity, great generosity, and precise vision, and make this book a treasure to read again and again.”—Louis Jenkins, author of Before You Know It and Tin Flag
Review
“In Wanek’s earth-proud, glorious work, all elements are in communication: a chimney offers ‘a plume of smoke hand-feeding the wind,’ a radish ‘bites you back,’ and a moose’s ‘grave eyes’ are ‘reminiscent somehow of Abe Lincoln.’ The first time I found her poems I phoned them to friends before making it past the library stairs. Rival Gardens offers a thrilling gift to anyone who loves metaphors, human beings, compassion and the revelation of sly observation—I’m sending out a cosmic call: these lyric narratives bring you life through a consciousness you wish you had lived.”—Jessica Greenbaum, editor of upstreet and author of The Two Yvonnes
Review
"In a world that too often plugs its ears to voices it thinks unworthy, Osman shows that it's actually more inappropriate to be decorous."—Kathleen Rooney, Chicago Tribune
Review
“True visionary poets are very rare. Ladan Osman is one. What she sees is extraordinary, and needful.”—Brigit Pegeen Kelly, author of Song and The Orchard
Synopsis
Acclaimed poet Susan Wheeler, whose last individual collection predicted the spiritual losses of the economic collapse, turns her attention to the most intimate of subjects: the absence or loss of love.
Synopsis
Winner of the Sillerman First Book Prize for African Poets, The Kitchen-Dwellers Testimony is based on a Somali insult: jiko muufo. Translated literally as “kitchen flatbread,” the insult criticizes those women who love domestic work so much that they happily watch bread rise. This collection of poems examines the varied ways women navigate gender roles, while examining praise for success within roles where imagination about female ability is limited. The Kitchen-Dwellers Testimony is about love and longing, divorce, distilled desire, and all the ways we injure ourselves and one another.
Synopsis
For decades a restorer of old homes, Connie Wanek shows us that poetry is everywhere, encountered as easily in the waterways, landscapes, and winters of Minnesota, as in the old roofs and darkened drawers of a home long uninhabited. Rival Gardens includes more than thirty unpublished poems, along with poems selected from three previous books—all in Wanek’s unmistakable voice: plainspoken and elegant, unassuming and wise, observant and original. Many of her new poems focus on the garden, beginning with the Garden of Eden. A deep feeling for family and for the losses and gains of growing into maturity mark the tone of Rival Gardens, with Wanek always attending to the telling detail and the natural world.
About the Author
Connie Wanek is the author of three books of poetry—Bonfire, Hartley Field, and On Speaking Terms—and the coeditor of the award-winning anthology To Sing Along the Way: Minnesota Women Poets from Pre-territorial Days to the Present. She has been a Witter Bynner Fellow of the Library of Congress and was named George Morrison Artist of the Year, an honor given to a northern Minnesotan for contributions to the arts over many years. She has lived for decades in Duluth, Minnesota.