Synopses & Reviews
"Sumptuous, elegant, nuanced, and accessible, Greg Forter helps us to remember what language can do. But Forter minces more than words in Murdering Masculinities. He offers a transformative reading of American crime fiction, arguing that it is not to high modernism that we should look for the reinvention of gender, but rather to authors like James Cain, Chester Himes, Dashiell Hammett, Jim Thompson, and in particular William Faulkner."
--Kaja Silverman
Though American crime novels are often derided for containing misogynistic attitudes and limiting ideas of masculinity, Greg Forter maintains that they are instead psychologically complex and sophisticated works that demand closer attention. Eschewing the synthetic methodologies of earlier work on crime fiction, Murdering Masculinities argues that the crime novel does not provide a consolidated and stable notion of masculinity. Rather, it demands that male readers take responsibility for the desires they project on to these novels.
Forter examines the narrative strategies of five novels--Hammett's The Glass Key, Cain's Serenade, Faulkner's Sanctuary, Thompson's Pop. 1280, and Himes's Blind Man with a Pistol--in conjunction with their treatment of bodily metaphors of smell, vision, and voice. In the process, Forter unearths a "generic unconscious" that reveals things Freud both discovered and sought to repress.
Review
"Murdering Masculinities makes a sophisticated, substantial contribution to contemporary debates about gender and sexuality. It pays closer, more intelligent, and more sustained attention to the crime novels it considers than has been paid them before, and it not only engages an impressive range of psychoanalytic thinkers, but contributes significantly to the development and refinement of psychoanalytic theory."-Tim Dean,University of Illinois, Urbana-Champaign
Review
"Sumptuous, elegant, nuanced, and accessible, Greg Forter's Murdering Masculinities helps us to remember what language can do. But Forter minces more than words in this provocative new book. He offers a transformative reading of American crime fiction, arguing that it is not to high modernism that we should look for the reinvention of gender, but rather to the 'low' works of authors like James Cain, Chester Himes, Dashiell Hammett, Jim Thompson, and William Faulkner."-Kaja Silverman,
Synopsis
Though American crime novels are often derided for containing misogynistic attitudes and limiting ideas of masculinity, Greg Forter maintains that they are instead psychologically complex and sophisticated works that demand closer attention. Eschewing the synthetic methodologies of earlier work on crime fiction,
Murdering Masculinities argues that the crime novel does not provide a consolidated and stable notion of masculinity. Rather, it demands that male readers take responsibility for the desires they project on to these novels.
Forter examines the narrative strategies of five novels--Hammett's The Glass Key, Cain's Serenade, Faulkner's Sanctuary, Thompson's Pop. 1280, and Himes's Blind Man with a Pistol--in conjunction with their treatment of bodily metaphors of smell, vision, and voice. In the process, Forter unearths a "generic unconscious" that reveals things Freud both discovered and sought to repress.
Synopsis
In India, God can be female. The goddesses of Hinduism and Buddhism represent the largest extant collection of living goddesses anywhere on the planet. Feminists in the West often draw upon South Asian goddesses as theological resources in the contemporary rediscovery of the Goddess. Yet, these goddesses are products of a male supremacist society.
What is the impact of powerful female deities--their images, projections, textuality, and history--on the social standing and psychological health of women? Do they empower women, or serve the interests of patriarchal culture? Is the Goddess a Feminist? looks at the goddesses of South Asia to address these questions directly.
Not a book about a single goddess or even about a variety of South Asian goddesses, the volume raises questions about images of deities as symbols and the ways in which they function. Contributors discuss contemporary Indian women who have embraced goddesses as spiritually and socially liberating, as well as the seeming contradictions between the power of Indian goddesses and the lives of Indian women. They also explore such topics as the element of male desire in the embodiment of female deities, the question of who speaks for the goddesses, and the politics and theology of Western feminist use of Hindu and Buddhist goddesses as models for their feminist reflections.
About the Author
ALF HILTEBEITEL is Professor of Religion and Director of the Human Sciences Program at George Washington University. His books include
Rethinking India's Oral and Classical Epics: Draupad.
KATHLEEN M. ERNDL is Associate Professor of Religion at Florida State University and author of Victory to the Mother: The Hindu Goddess of Northwest India in Myth, Ritual, and Symbol.