Synopses & Reviews
Synopsis
In 1889, avant-garde artists in Paris formed a brotherhood to promote a radical new direction in art. Adopting the name Nabis--Hebrew for "prophets"--they aimed to capture subjective experience and emotion in their paintings, prints, and drawings. This volume focuses on intimate views of home and family by four Nabi artists: Pierre Bonnard (1867-1947), Maurice Denis (1870-1943), F lix Vallotton (1865-1925), and douard Vuillard (1868-1940). For Bonnard and Denis, this arena was ideal for depicting small pleasures and modest acts of life; Vallotton and Vuillard, however, hinted at the tensions simmering just below the surface. This gorgeous catalogue is the first to delve deeply into the Nabis' use of domestic life as the locus for artistic inspiration.
Synopsis
Four "prophets" of art whose luminous work unfolds the mysteries of domestic life In 1889, avant-garde artists in Paris formed a brotherhood to promote a radical new direction in art. Adopting the name Nabis--Hebrew for "prophets"--they aimed to capture subjective experience and emotion in their paintings, prints, and drawings. This volume focuses on intimate views of home and family by four Nabi artists: Pierre Bonnard (1867-1947), Maurice Denis (1870-1943), F lix Vallotton (1865-1925), and douard Vuillard (1868-1940). For Bonnard and Denis, this arena was ideal for depicting small pleasures and modest acts of life; Vallotton and Vuillard, however, hinted at the tensions simmering just below the surface. This gorgeous catalogue is the first to delve deeply into the Nabis' use of domestic life as the locus for artistic inspiration.
Synopsis
A New York Times best art book of 2021 In 1889, avant-garde artists in Paris formed a brotherhood to promote a radical new direction in art. Adopting the name Nabis--Hebrew for "prophets"--they aimed to capture subjective experience and emotion in their paintings, prints, and drawings. This volume focuses on intimate views of home and family by four Nabi artists: Pierre Bonnard (1867-1947), Maurice Denis (1870-1943), F lix Vallotton (1865-1925), and douard Vuillard (1868-1940). For Bonnard and Denis, this arena was ideal for depicting small pleasures and modest acts of life; Vallotton and Vuillard, however, hinted at the tensions simmering just below the surface. This gorgeous catalogue is the first to delve deeply into the Nabis' use of domestic life as the locus for artistic inspiration.