Synopses & Reviews
The Apprentice.
Project Runway.
The Bachelor.
My Life on the D-list.
Extreme Makeover.
American Idol. It is virtually impossible to turn on a television without coming across some sort of reality programming. Yet, while this genre has rapidly moved from the fringes of television culture to its lucrative core, critical attention has not kept pace.
Beginning by unearthing its historical roots in early reality shows like Candid Camera and wending its way through An American Family and The Real World to the most recent crop of reality programs, Reality TV, now updated with eight new essays, is one of the first books to address the economic, visual, cultural, audience, and new media dimensions of reality television and has become the standard in the field. The essays provide a complex and comprehensive picture of how and why this genre emerged, what it means, how it differs from earlier television programming, and how it engages societies, industries, and individuals. Topics range from the blending of fact and fiction, to the uses of viewer labor and “interactivity,” to issues of surveillance, gender performativity, hyper-commercialism, and generic parody.
By spanning reality televisions origins in the late 1940s to its current overwhelming popularity, Reality TV demonstrates both the tenacity of the format and its enduring ability to speak to our changing political and social desires and anxieties.
Review
Praise for the First Edition:
"Offers the most insightful and significant scholarly analysis to date of the changes taking place in the economic 'globalization' of television production. A delight to read, laced with wit and humor."
Praise for the Second Edition:
"Provides both the record of a strange moment in history and a contribution to contemporary cultural politics. This second, revised edition brings the story right up to the present with a compelling blend of the ancient and the modern."
Synopsis
A collection of eight essays that parse out the seemingly unprecedented rise of reality television
The Apprentice. Project Runway. The Bachelor. My Life on the D-list. Extreme Makeover. American Idol. It is virtually impossible to turn on a television without coming across some sort of reality programming. Yet, while this genre has rapidly moved from the fringes of television culture to its lucrative core, critical attention has not kept pace.
Beginning by unearthing its historical roots in early reality shows like Candid Camera and wending its way through An American Family and The Real World to the most recent crop of reality programs, Reality TV, now updated with eight new essays, is one of the first books to address the economic, visual, cultural, audience, and new media dimensions of reality television and has become the standard in the field. The essays provide a complex and comprehensive picture of how and why this genre emerged, what it means, how it differs from earlier television programming, and how it engages societies, industries, and individuals. Topics range from the blending of fact and fiction, to the uses of viewer labor and "interactivity," to issues of surveillance, gender performativity, hyper-commercialism, and generic parody.
By spanning reality television's origins in the late 1940s to its current overwhelming popularity, Reality TV demonstrates both the tenacity of the format and its enduring ability to speak to our changing political and social desires and anxieties.
Synopsis
The Apprentice. Project Runway. The Bachelor. My Life on the D-list. Extreme Makeover. American Idol. It is virtually impossible to turn on a television without coming across some sort of reality programming. Yet, while this genre has rapidly moved from the fringes of television culture to its lucrative core, critical attention has not kept pace.
Beginning by unearthing its historical roots in early reality shows like Candid Camera and wending its way through An American Family and The Real World to the most recent crop of reality programs, Reality TV, now updated with eight new essays, is one of the first books to address the economic, visual, cultural, audience, and new media dimensions of reality television and has become the standard in the field. The essays provide a complex and comprehensive picture of how and why this genre emerged, what it means, how it differs from earlier television programming, and how it engages societies, industries, and individuals. Topics range from the blending of fact and fiction, to the uses of viewer labor and interactivity, to issues of surveillance, gender performativity, hyper-commercialism, and generic parody.
By spanning reality television's origins in the late 1940s to its current overwhelming popularity, Reality TV demonstrates both the tenacity of the format and its enduring ability to speak to our changing political and social desires and anxieties.
Synopsis
Gender and Mental Health provides a critical introduction to the ways in which gender affects mental health experiences and mental health service use. The volume is unique in including a policy perspective and an overview-including a look at crime, the law, and service structures-of society's responses to mental disorders.
Recent research has challenged basic assumptions that women are more prone than men to mental disorders, and has highlighted the increasing visibility of men in psychiatric statistics in the twentieth century. Yet, gender differences continue to be intertwined with risk factors in socioeconomic conditions and in biased approaches to diagnosis and treatment.
Prior here examines the individual experiences of mental disorders for both men and women and explores a range of mental health policy issues including concepts of normality, trends in mental health care legislation and service delivery, the differing impacts of national mental health policies on women and on men, and changing views of disorders linked with sexual identity and orientation.
Based on up-to-date information from both the United States and Europe, this volume will be useful to a broad range of scholars and professionals in psychology, sociology, social policy, gender studies, social work, medicine, and law.
About the Author
Susan Murray is Associate Professor of Media, Culture and Communication at New York University. She is the author of
Hitch Your Antenna to the Stars: Early Television and Broadcast Stardom.
Laurie Ouellette is Associate Professor in the Department of Communication Studies at the University of Minnesota, Twin-Cities. She is author (with James Hay) of Better Living through Reality TV and of Viewers Like You? How Public TV Failed the People.