Synopses & Reviews
Handsome and ambitious, Julien Sorel is determined to rise above his humble peasant origins and make something of his life-by adopting the code of hypocrisy by which his society operates. Julien ultimately commits a crime-out of passion, principle, or insanity-that will bring about his downfall. The Red and the Black is a lively, satirical picture of French Restoration society after Waterloo, riddled with corruption, greed, and ennui. The complex, sympathetic portrayal of Julien, the cold exploiter whose Machiavellian campaign is undercut by his own emotions, makes him
Stendhal's most brilliant and human creation-and one of the greatest characters in European literature.
Translated with an introduction by Roger Gard.
Synopsis
Charts the rise and fall of an ambitious young social climber in a cruel, monarchical society
Handsome, ambitious Julien Sorel is determined to rise above his humble provincial origins. Soon realizing that success can only be achieved by adopting the subtle code of hypocrisy by which society operates, he begins to achieve advancement through deceit and self-interest. His triumphant career takes him into the heart of glamorous Parisian society, along the way conquering the gentle, married Madame de Renal, and the haughty Mathilde. But then Julien commits an unexpected, devastating crime and brings about his own downfall. The Red and the Black is a lively, satirical portrayal of French society after Waterloo, riddled with corruption, greed and ennui, and Julien the cold exploiter whose Machiavellian campaign is undercut by his own emotions is one of the most intriguing characters in European literature.
Roger Gard's fine translation remains faithful to the natural, conversational tone of the original, while his introduction elucidates the complexities of Julien's character. This edition also contains a chronology, further reading and an appendix on Stendhal's use of epigraphs.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust theseries to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-datetranslations by award-winning translators."
Synopsis
Charting the rise and fall of an ambitious young social climber in a cruel, monarchical society, Stendhal's The Red and the Black is translated with an introduction and notes by Roger Gard in Penguin Classics.
Handsome, ambitious Julien Sorel is determined to rise above his humble provincial origins. Soon realizing that success can only be achieved by adopting the subtle code of hypocrisy by which society operates, he begins to achieve advancement through deceit and self-interest. His triumphant career takes him into the heart of glamorous Parisian society, along the way conquering the gentle, married Madame de R nal, and the haughty Mathilde. But then Julien commits an unexpected, devastating crime - and brings about his own downfall. The Red and the Black is a lively, satirical portrayal of French society after Waterloo, riddled with corruption, greed and ennui, and Julien - the cold exploiter whose Machiavellian campaign is undercut by his own emotions - is one of the most intriguing characters in European literature.
Roger Gard's fine translation remains faithful to the natural, conversational tone of the original, while his introduction elucidates the complexities of Julien's character. This edition also contains a chronology, further reading and an appendix on Stendhal's use of epigraphs.
Stendhal (1783-1842) was the pseudonym of Henri Marie Beyle, born and raised in Grenoble. Offered a post in the Ministry of War, from 1800 onwards he followed Napoleon's campaigns throughout Europe before retiring to Italy. Here, as 'Stendhal', he began writing on art, music and travel. Though not well-received during his lifetime, his work, including The Red and the Black (1830) and The Charterhouse of Parma (1839), now places him among the pioneers of nineteenth-century literary realism.
If you enjoyed The Red and the Black, you may like Guy de Maupassant's Bel-Ami, also available in Penguin Classics.
About the Author
Stendhal, born Henri Marie Beyle (1783-1842), had a post in the Ministry of War and followed Napoleon's campaigns before retiring to Italy. As "Stendhal," he began writing on art, music, and travel. He later wrote novels, literary criticism, and various biographical and autobiographical works.
Roger Gard was a reader in English at Queen Mary and Westfield College. He died in 2000.