Synopses & Reviews
"One of the most striking fanzines of recent years is Laura Oldfield Ford's Savage Messiah, focusing on the politics, psychology and pop- cultural past of a different London postcode. Ford's prose is scabrous and melancholic, incorporating theoretical shards from Guy Debord and Marc Augé, and mapping the transformations to the capital that the property boom and neoliberalist economics have wrought. Each zine is a drift, a wander through landscape that echoes certain strands of contemporary psychogeography. Ford--or a version of her, at least--is an occasional character, offering up narcotic memories of a forgotten metropolis. The images, hand-drawn, photographed and messily laid out, suggest both outtakes from a Sophie Calle project and the dust jacket of an early 1980s anarcho-punk compilation record: that is, both poetry and protest." --Sukhdev Sandhu, The New Statesman
Savage Messiah collects together the entire set of Laura Oldfield Ford's fanzine to date. Part graphic novel, part artwork, the book is both an angry polemic against the marginalization of the city's working class and an exploration of the cracks that open up in urban space.
No exercise in style nostalgia, this is her recovery of punk’s provocation and politicization.This black-and-white, cut ‘n’ paste-style zine by the artist Laura Oldfield Ford, in which she traces her psychogeographical drifts around London’s grimey underbelly, has achieved cult status in art circles since its first issue in 2005. Be warned: this is a city you won’t find in any guidebook.Savage Messiah’s fractured narratives, clipped sloganeering and topographical poetics have been, for the last decade or so, a kind of solace for anyone who loathed the coked-up arrogance, the intellectual and political vacuity and compulsory amnesia of the boom. It was a constant reminder that bad times were just around the corner. --Owen Hatherley, author of A Guide to the New Ruins of Great Britain
The acclaimed art fanzine's psychogeographic drifts through a ruined city
Savage Messiah collects the entire set of Laura Oldfield Ford's fanzine to date. Part graphic novel, part artwork, the book is both an angry polemic against the marginalization of the city's working class and an exploration of the cracks that open up in urban space.
The acclaimed art fanzine's psychogeographic drifts through a ruined city.
About the Author
Laura Oldfield Ford, originally from Halifax, West Yorkshire, studied at the Royal College of Art and has become well known for her politically active and poetic engagement with London as a site of social antagonism. She exhibits and teaches across Europe and America.