Synopses & Reviews
A magnum opus from our finest interpreter of The Bard
The true biography of Shakespeare--and the only one we need to care about--is in his plays. Frank Kermode, Britain's most distinguished scholar of sixteenth-century and seventeenth-century literature, has been thinking about Shakespeare's plays all his life. This book is a distillation of that lifetime of thinking.The finest tragedies written in English were all composed in the first decade of the seventeenth century, and it is generally accepted that the best ones were Shakespeare's. Their language is often difficult, and it must have been hard even for contemporaries to understand. How did this language develop? How did it happen that Shakespeare's audience could appreciate Hamlet at the beginning of the decade and Coriolanus near the end of it?
In this long-awaited work, Kermode argues that something extraordinary started to happen to Shakespeare's language at a date close to 1600, and he sets out to explore the nature and consequences of the dynamic transformation that followed. For it is in the magnificent, suggestive power of the poetic language itself that audiences have always found meaning and value. The originality of Kermode's argument, the elegance and humor of his prose, and the intelligence of his discussion make this a landmark in Shakespearean studies.
Review
"One of the world's most distinguished literary scholars has produced yet another work, this one setting out Shakespeare's increasingly sophisticated use of language. Cambridge University professor Frank Kermode, now an octogenarian, himself, knows a good bit about language. The writing of this book deserves praise; he courts, encourages, and responds to us throughout the book, He isn't talking over our heads to some invisible group of curmudgeonly experts, but directly at us. Just as he argues Shakespeare did, Kermode chooses his words carefully. His exposition of Coriolanus, a notoriously difficult play to follow and understand, exemplifies the author 's ability to develop our sensitivity to the contours of genius. Reading his thoughtful chapters before seeing particular plays would be a gentle yet useful warm-up to seeing performances of the real thing." Reviewed by Andrew Witmer, Virginia Quarterly Review (Copyright 2006 Virginia Quarterly Review)
Review
". . .the honey of a lifetime's visits to the Shakespearean garden . . . Kermode proves himself Coleridge's worthy heir." --James Woods,
The New Republic"[T]he crowning action of [Kermode's] splid career of criticism . . ." --Richard Howard, The American Scholar
"[A] wonderful book, in which a master critic at the summit of his powers pays homage to a master playwright . . ." --Kiernan Ryan, The Independant on Sunday
About the Author
Frank Kermode has written and edited many works, among them
Forms of Attention and a memoir,
Not Entitled. He lived in Cambridge, England, and frequently taught in the United States.