Synopses & Reviews
Part memoir, part literary gossip, but mostly a guide to the lost art of sentence diagramming, the book, penned by copy editor Kitty Burns Florey, hilariously examines the history of grammar....The book, in other words, does everything Lynne Truss's EATS, SHOOTS AND LEAVES does, and then some. -- Sara Nelson, editor, Publishers Weekly
Chicago Tribune Editor's Pick
Diagramming sentences may have gone the way of the slide ruler, but this charming little book makes deconstruction of language fun. In this illustrated personal history, the author, a long-time copy editor, explores the birth and death of language mapping. In this handsome book, subjects, predicates, articles, gerunds and participles dance across the page, bringing delight to those who venture into the party. -- Elizabeth Taylor, literary editor, Chicago Tribune
Kitty Burns Florey seems to write from a great wellspring of inner calm that derives from a gleeful appreciation of life's smallest details.-Richard Russo, Pulitzer Prize-winning author of Empire Falls
Once wildly popular and used by grammar teachers across America, sentence diagramming is now a lost art to most people. But from the moment she encountered it in the sixth-grade classroom of Sister Bernadette, Kitty Burns Florey was fascinated by the bizarre method of mapping the words in a sentence.
Now a novelist and veteran copyeditor, Florey studies the practice in a charming and funny look back at its odd history, its elegant method, and its rich, ongoing possibilities. From a discussion of its birth at the Polytechnic Institute in Brooklyn, to a consideration of how it works, to a revealing look at some of literature's most famoussentences in diagram, it is a charming and often inspiring tale.
Along the way, Florey explores the importance of good grammar and answers language lovers' most pressing questions: Was Mark Twain or James Fenimore Cooper a better grammarian? Can knowing how to diagram a sentence make your life better? And what's Gertrude Stein got to do with any of it?
Review
PRAISE FOR
SISTER BERNADETTES BARKING DOG"Florey writes with verve about the nuns who taught her to render the English language as a mess of slanted lines, explains how diagrams work, and traces the bizarre history of the men who invented this odd pedagogical tool . . . Its a great read."--Slate
"This gem from copyeditor Florey is a bracing ode to grammar: its laced with a survivors nostalgia for classrooms ruled by knuckle-cracking nuns who knew their participles."People
Synopsis
A delightfully offbeat history of the art and science of sentence diagramming by a veteran copyeditor and writer. Grumpy grammarians, crossword-puzzle aficionados, and lovers of language will appreciate this book.
In its heyday, sentence diagramming was wildly popular in grammar schools across the country. Kitty Burns Florey learned the method in sixth grade from Sister Bernadette: It was a bit like art, a bit like mathematics. It was a picture of language. I was hooked.
Florey explores the sentence-diagramming phenomenon, including its humble roots at the Brooklyn Polytechnic, its balloon diagram predecessor, and what diagrams of famous writers' sentences reveal about them. Along the way, Florey offers up her own commonsense approach to learning and using good grammar. Charming, fun, and instructive, Sister Bernadette's Barking Dog will be treasured by all kinds of readers.
Synopsis
In its heyday, sentence diagramming was wildly popular in grammar schools across the country. Kitty Burns Florey learned the method in sixth grade from Sister Bernadette: "It was a bit like art, a bit like mathematics. It was a picture of language. I was hooked." Now, in this offbeat history, Florey explores the sentence-diagramming phenomenon, including its humble roots at the Brooklyn Polytechnic, its "balloon diagram" predecessor, and what diagrams of famous writers sentences reveal about them. Along the way Florey offers up her own commonsense approach to learning and using good grammar. Charming, fun, and instructive, Sister Bernadettes Barking Dog will be treasured by all kinds of readers, from grumpy grammarians and crossword-puzzle aficionados to students of literature and lovers of language.
Synopsis
A
SLATE BEST BOOK OF THE YEAR
A PEOPLE PICK FOR WORD LOVERS
This gem from copyeditor Florey is a bracing ode to grammar.”People
In its heyday, sentence diagramming was wildly popular in grammar schools across the country. Kitty Burns Florey learned the method in sixth grade from Sister Bernadette: "It was a bit like art, a bit like mathematics. It was a picture of language. I was hooked.”
Now, in Sister Bernadette's Barking Dog, an offbeat history that any language lover will adore, Florey explores the sentence-diagramming phenomenon and what diagrams of famous writers' sentences reveal about them.
Along the way, she offers up her own commonsense approach to learning and using good grammar. And she answers some of literature's most pressing questions: Was Mark Twain or James Fenimore Cooper a better grammarian? Can knowing how to diagram a sentence make your life better? And what's Gertrude Stein got to do with any of it?
A pleasantly discursive and affectionate tribute to an antiquated art.”The Wall Street Journal
You don't have to be over age 50 or a Catholic school graduate to enjoy Sister Bernadette's Barking Dog . . . Florey's keen memories of being schooled in this art and her humorous affection for it are contagious . . . Try it, youll like it."Minneapolis Star Tribune
"Florey writes with verve about the nuns who taught her to render the English language as a mess of slanted lines, explains how diagrams work, and traces the bizarre history of the men who invented this odd pedagogical tool . . . Its a great read."--Slate
KITTY BURNS FLOREY, a veteran copyeditor, is the author of nine novels and many short stories and essays. A longtime Brooklyn resident, she now divides her time between central Connecticut and upstate New York with her husband, Ron Savage.
About the Author
KITTY BURNS FLOREY, a veteran copyeditor, is the author of nine novels and many short stories and essays. A longtime Brooklyn resident, she now divides her time between central Connecticut and upstate New York with her husband, Ron Savage.
Table of Contents
Contents 1 ENTER THE DOG
17 TIMES CHANGE
35 GENERAL RULES
61 POETRY & GRAMMAR
103 YOUSE AINT GOT NO CLASS
125 DIAGRAMMING REDUX
147 Afterword
151 acknowledgments