Synopses & Reviews
Sonora Jha expertly inhabits the perspective of a man so terrified of the old world slipping away, he can't see the ground shifting beneath his feet. A deliciously sharp, mercilessly perceptive exploration of power, The Laughter explores how 'otherness' is both fetishized and demonized, and what it means to love something — a person, a country — that does not love you back. —Celeste Ng, New York Times-bestselling author of Little Fires Everywhere and Our Missing Hearts
A white male college professor develops a dangerous obsession with his new Pakistani colleague in this modern, iconoclastic novel.
Dr. Oliver Harding, a tenured professor of English, is long settled into the routines of a divorced, aging academic. But his quiet, staid life is upended by his new colleague, Ruhaba Khan, a dynamic Pakistani Muslim law professor.
Ruhaba unexpectedly ignites Oliver's long-dormant passions, a secret desire that quickly tips towards obsession after her teenaged nephew, Adil Alam, arrives from France to stay with her. Drawn to them, Oliver tries to reconcile his discomfort with the worlds from which they come, and to quiet his sense of dismay at the encroaching change they represent — both in background and in Ruhaba's spirited engagement with the student movements on campus.
After protests break out demanding diversity across the university, Oliver finds himself and his beliefs under fire, even as his past reveals a picture more complicated than it seems. As Ruhaba seems attainable yet not, and as the women of his past taunt his memory, Oliver reacts in ways shocking and devastating.
An explosive, tense, and illuminating work of fiction, The Laughter is a fascinating portrait of privilege, radicalization, class, and modern academia that forces us to confront the assumptions we make, as both readers and as citizens.
Review
"Sonora Jha's The Laughter takes the old suffocating male narcissist of Coetzee's Disgrace and Nabokov's Lolita and gives him new, previously unexplored dimension with a modern dissection of the Whiteness at his core. Dr. Oliver Harding is the best type of narrator — one whose rich character makes his profound flaws fascinating on the page, and author Jha's inspired prose channels him as if possessed." Mat Johnson, author of Pym and Invisible Things
Review
"The Laughter is a brilliant, dangerous novel. What Sonora Jha has done in this razorblade-tense story is create one of the most infuriating, compelling, and complex characters I've read in a long time, a man so at war with himself he threatens to come apart at the seams. Jha is an expert chronicler of the way civility and privilege can often mask such immense, ruinous rage, and what begins as a tale of a professor's infatuation with his colleague soon spirals into something far more sinister, a cascade of individual and institutional malice." Omar El Akkad, author of American War and What Strange Paradise
Review
"Lush, chilling, and admirably complex, The Laughter is wonderful: A book full of sly wisdom, cutting insight, and heart-pounding suspense." Julia May Jonas, author of Vladimir
About the Author
Sonora Jha, Ph.D., is an essayist, novelist, and professor of journalism at Seattle University. She is the author of the novel Foreign and a memoir in essays, How to Raise a Feminist Son. Her work has appeared in the New York Times, the Seattle Times, The Establishment, Dame Magazine, and several anthologies. Formerly a journalist, she was chief of the metropolitan bureau for the Times of India and a contributing editor for East magazine in Singapore. She teaches fiction and essay writing for the Richard Hugo House and Hedgebrook Writers’ Retreat, and her writing has garnered many awards and residencies. She lives in Seattle.