Synopses & Reviews
Growing up in Victorian England, where her father owns a tailoring shop on fashionable Savile Row, Veda Grenfell and her family have always assumed she would one day make a suitable match. But when a fever leaves her deaf at the age of sixteen, Veda resolves to prove her worth in a realm that is usually off limits to respectable women. Dressing in gentlemen's clothes, Veda reinvents herself as a tailor to London's smart young set. Her beauty and spirit attract unexpected suitors, including a young viscount---but when passion turns to betrayal, Veda embarks on a treacherous journey that will lead her into a world of deception and murder.
Gorgeously written, with a heroine of unforgettable grace and determination, "this is a book that grows in your heart and stays there long after you've put it down" (Carol Goodman, author of The Lake of Dead Languages).
Review
"A stunning novel about a complicated and beguiling young woman . . . [with] moments of almost unbearable yearning, truth, and beauty." --Luanne Rice "Veda challenges tradition to find an acceptable life that includes love. . . . Fans of the author's previous books and readers of gothic novels will enjoy Graham's delicious details of high society and star-crossed love." --
Booklist
"The sheer generosity of her invention and her unfailing ability to create believable characters . . . are nothing short of stunning. . . . Graham is always and abundantly a good time." --Kirkus Reviews "A great pleasure . . . a rich dance of a novel with every ingredient of the popular romance: near-death illness, adoring older suitor, wonderful clothes, great romantic love, hope, despair, and disgrace . . . and a happy ending." --Philippa Gregory
About the Author
This author is available for reading group discussion call-ins! E-mail Janice at
[email protected] to request an appointment. Janice Graham began her career as a screenwriter in Los Angeles. Her first novel,
Firebird, became a
New York Times bestseller and was translated into eighteen languages.
Reading Group Guide
Reading Group Questions
1. Veda states that “the absence of one sense does not imply an absence of sense in general.” Did this book give you a new perspective on the challenges faced by the deaf? Have you ever known anyone who has suffered the loss of their hearing? 2. Although Veda prefers designing mens clothing, she makes it clear that she does not sympathize with those “women in drab tweeds and spectacles who smoke and live in chambers like a man.” Why doesnt she? And does this make Veda hypocritical? Discuss the double standards imposed upon Victorian women who strove to pursue careers in fields dominated by men. 3. Do you think Veda was a “woman ahead of her time?” What aspects of her character could be considered timeless? 4. Vedas written correspondence appears throughout the pages of The Tailors Daughter. Did the inclusion of her letters help you to know her better? Talk about this aspect of the novels narrative structure. 5. How might you describe Vedas sudden change in attitude toward Balducci? Was her refusal to marry him based solely on his dishonesty, or
had Veda discovered something dark and disturbing in herself? Discuss Vedas compassion for Arabella in light of this self-knowledge. 6. Some of the exchanges between Veda and Mr. Nicholls and Veda and Harry are particularly delicate and refined. Which scenes do you think best portray Victorian sensibility? What did you learn about Victorian manners or attitudes in The Tailors Daughter? 7. Harry was born into privilege and yet he finds he is limited by his class. Do you think he is the “decorous capital on the column of industry, a pretty thing, all pomp and show, deprived of any real function,” as he is wont to describe himself? Why or why not? Talk about the notions of privilege and wealth in Victorian society. How did ones class either foster or hinder ones prosp-ects? How different is the world today? 8. Although Veda recognizes Arabella as her arch- rival, resentment and jealousy give way to more complex feelings. What does this reveal about Vedas character and her own needs? What kind of role does each woman play for the other? 9. Veda states, “I sat by the window with the warm July sun filtering through thick leaded panes, whipping thousands of fine stitches into the silk lining of the satin bodice as if it were a suit of armor, with the belief that I could render her invulnerable to his evil by the sheer perfection of my skills.” How is this image symbolic of womens powerlessness in a rigidly patriarchal society? 10. What do you think of Vedas decision not to reveal what she knows about Arabella and the Earl? Would you make the same choice? Why? 11. The Tailors Daughter is a novel about truth and beauty, art and artifice. It is also about family——in all its glory and scandal. How important is the notion of family to each of the main characters? Which relationships are the most “real” to you in this book? Have you ever experienced a particularly difficult conflict between personal fulfillment and family obligations?