Staff Pick
With the exception of Benjamin Nugent's 2004 biography Elliott Smith and the Big Nothing and Autumn de Wilde's photo/interview book Elliott Smith, not much has been published in the decade following the singer-songwriter's too-early passing. William Todd Schultz's Torment Saint, however, not only remedies that notable lack but serves as what may well come to be the definitive Elliott Smith biography. As a professor of psychology, Schultz offers, in addition to all of the requisite details about childhood and adolescence, critical insight into Elliott as both an individual and an artist, as well as into the myriad influences that shaped his music and lyrical content.
Schultz recounts Smith's upbringing in Texas — one marked by a tumultuous (perhaps abusive) relationship with his stepfather. Smith's formative years in the Lone Star State defined much of his personality and outlook on life — baggage he was unable to escape even after he struck out on his own. It wasn't until he arrived in Portland that he seemingly began to feel comfortable with himself or his talents (if, in fact, he ever truly did). Tracing his musical ascendancy from the Rose City to New York, and eventually Los Angeles, Schultz portrays an artist deeply committed to his craft — perhaps in inverse proportion to how he felt about himself and his life in general. Quite a bit of time is spent on the industry side of things, recording sessions, record deals, tours, personnel changes, etc., but these details help lend the narrative more cohesion. While Smith's alcohol consumption was always apparent, it wasn't until 2000 that his drug taking took off in earnest (despite lyrical allusions throughout so many of his songs). Very quickly, Smith found himself in throes of addiction (heroin — though never injected, crack, antidepressants, antipsychotics, and other assorted pharmaceuticals), hastening his depressive spiral and disconnection from others. Reading about Smith's mental unraveling and emotional descent is at times very troubling. Interventions, friends, lovers, record executives — seemingly no one was able to get through to Elliott and convince him that his life was indeed worth living. The progressively sad story reaches its conclusion with the circumstances of his 2003 suicide.
Schultz, quite obviously, did considerable research in writing Torment Saint, interviewing nearly everyone who at one time or another figured prominently into Elliott's life (or at least those that would agree to speak about it). Most surprising about Torment Saint (or any rock biography, for that matter) is how beautifully written it is. Schultz's prose is lyrical, vivid, and expressive — a fitting testament to a musician whose songwriting was roundly praised for its emotional eloquence and honesty. Elliott Smith's life was clearly a troubled one, with self-loathing, addiction, and self-destructive behaviors ultimately becoming too much to bear. While the legacy left behind in song is impressive, one cannot help but wonder what heights of musical accomplishment may have awaited Elliott had he endured and overcome his demons. Sadly, we'll never know, of course. Torment Saint, a decade after Smith's suicide, helps piece together some of the more enigmatic aspects of his life and music. Tender, compassionate, and nonjudgmental, Schultz's biography will obviously appeal to fans of the late singer-songwriter, but also to anyone for whom the connection between art and addiction, creativity and depression is of interest. Torment Saint, like Elliott's music, is magnificently rendered, often sorrowful, but tempered by candor and abundant feeling. Recommended By Jeremy G., Powells.com
Synopses & Reviews
Elliott Smith was one of the most gifted songwriters of the '90s, adored by fans for his subtly melancholic words and melodies. He died violently in LA in 2003, under what some believe to be questionable circumstances, of stab wounds to the chest. By this time fame had found him, and record-buyers who shared the listening experience felt he spoke directly to them from beyond: astute, damaged, lovelorn, fighting until he could fight no more. And yet Smith remained unknowable. In Torment Saint, William Todd Schultz gives us the definitive biography of the rock star, imbued with affection, authority, sensitivity, and long-awaited clarity. Torment Saint draws on Schultz's careful, deeply knowledgeable readings and insights, as well as on more than 150 hours of interviews with close friends from Texas to Los Angeles, lovers, bandmates, music peers, managers, label owners, and recording engineers and producers. This book unravels the remaining mysteries of Smith's life and his shocking, too early end. It's an indispensable examination of his life and legacy.
Review
"In Torment Saint, William Todd Schultz has written his own kind of love song—an account of Smith's life that does full justice to his memory and the impressive legacy of his art . . . A persuasive reckoning with Elliott's inner demons and—much more important—a full appreciation and celebration, of his undeniable genius." —Bookforum
"Rigorously researched . . . Offers the deepest, most informative look into the singer-songwriter's tortured life." —BuzzFeed, "Books Every Music Lover Should Read"
"Torment Saint will likely go down as the definitive biography." —PASTE Magazine
"Elliott Smith, whose soul presides over the lives of melancholy indie rockers, gets the wake song he deserves in William Todd Schultzs Torment Saint." —Vanity Fair
"Schultz brings to his work a deep understanding of how inner and outer landscapes can affect unique and sensitive artists . . . But no matter how dark Smith's story gets, Schultz never loses sight of the beauty of his music." —Publishers Weekly, starred review
"Torment Saint is a highly readable, headlong dive into the far end of a tormented artists head space. Its a cloudy, gray place at times, but even the saddest, darkest moments contain a beautiful silver lining." —Willamette Week
"Persuasive . . . Exposes surprises across the songwriter's body of work . . . An admirably well-written biography with much to offer . . . Essential for fans of Smith [but] more than worthwhile for any pop music fan." —Library Journal
Synopsis
"[A portrait] as heartbreaking and well-crafted as one of Elliott Smith's songs." —Los Angeles Times
About the Author
William Todd Schultz is a professor at Pacific University in Oregon. He edited and contributed to the groundbreaking Handbook of Psychobiography, and curates the book series Inner Lives, analyses of significant artists and political figures. His own book in the series, Tiny Terror, examines the writings of Truman Capote. He is also the author of An Emergency in Slow Motion, a study of the art and personality of Diane Arbus. He blogs for Psychology Today. His personal website is: http://williamtoddschultz.com.