Synopses & Reviews
Building on recent work on Victorian print culture and the turn toward material historical research in modernist studies, this collection extends the frontiers of scholarship on the "Atlantic scene" of publishing, exploring new ways of grappling with the rapidly changing universe of print at the turn of the twentieth century.
About the Author
ANN ARDIS is Associate Dean of Arts and Humanities and Professor of English at the University of Delaware, USA. She is the author of
New Women, New Novels: Feminism and Early Modernism and
Modernism and Cultural Conflict, 1880-1922, and co-editor of
Women's Experience of Modernity, 1875-1945 and
Virginia Woolf Turning the Centuries.
PATRICK COLLIER is Associate Professor and Assistant Chair of English at Ball State University, USA, where he teaches nineteenth- and twentieth-century British literature and culture. He is the author of Modernism on Fleet Street and numerous articles on the relations between literature and journalism.
Table of Contents
List of Illustrations
Contributor Biographies
Introduction; A.Ardis & P.Collier
PART 1: HISTORY, CULTURE, AND THE PUBLIC SPHERE: DISCIPLINE, THEORY, METHODOLOGY
Representing the Public Sphere: The New Journalism and its Historians; M.Hampton
Staging the Public Sphere: Magazine Dialogism and the Prosthetics of Authorship at the Turn of the Twentieth Century; A.Ardis
Transatlantic Print Culture: The Anglo-American Feminist Press and Emerging “Modernities”; L.Delap & M.DiCenzo
Feminist Things; B.Green
PART 2: THE CULTURAL WORK OF PRINT