Synopses & Reviews
Through journals, letters, dreams, and close readings of the work of many poets, Adrienne Rich reflects on how poetry and politics enter and impinge on American life. This expanded edition includes a new preface by the author as well as her post-9/11 "Six Meditations in Place of a Lecture."
Simultaneously poetry anthology, exercise in reflection, social and cultural diagnosis, poet's creed...this is a book of wisdom...more resonant with each rereading.Essential reading for writers and readers of poetry and for anyone interested in the current debates on art and politics...and the spiritual and moral power of literature.The clear-eyed depth and the visionary stretch of these notes bespeak an irresistible, prophetic intelligence and a huge heart wrestling with the transformative power of poetry up against the needs of an emerging new world. -- June Jordan
Includes bibliographical notes (p. -295) and index.
The "impulse to enter, with other humans, through language, into the order and disorder of the world, is poetic at its root as surely as it is political at its root," writes Adrienne Rich at the beginning of her powerful new prose work. What Is Found There is Rich's response to her impulse as a poet to know poetry fully, to plumb and scale and inhabit it; it is also, profoundly, Rich's attempt to bring poetry into the lives of many kinds of people - out of the academy, away from the literary magazines. In a voice that is generous, bold, and personal, Rich uses the poet's materials - journals and letters, dreams, memories, and close reading of the work of many poets - to reflect on poetry and politics, to consider how they enter and impinge on an American life, and what it means to be a citizen of a fragmented country, part of a people turned inward for safety. Rich acknowledges the cost of this turning: "We have rarely, if ever, known what it is to tremble with fear, to lament, to rage, to praise, to solemnize, to say We have done this, to our sorrow; to say Enough, to say We will, to say We will not. To lay claim to poetry." But she acknowledges hope as well. Speaking to poets, to readers of poetry, to all of us who imagine and desire a humane civil life, Rich lays claim to poetry as an instrument of change, and offers up its possibilities: "I see the life of North American poetry at the end of the century as a pulsing, racing convergence of tributaries - regional, ethnic, racial, social, sexual - that, rising from lost or long-blocked springs, intersect and infuse each other while reaching back to the strengths of their origins."
America's enduring poet of conscience reflects on the proven and potential role of poetry in contemporary politics and life.
About the Author
Widely read, widely anthologized, widely interviewed, and widely taught, Adrienne Rich (1929-2012) was for decades among the most influential writers of the feminist movement and one of the best-known American public intellectuals. She wrote two dozen volumes of poetry and more than a half-dozen of prose. Her constellation of honors includes a National Book Award for poetry for Tonight, No Poetry Will Serve, a MacArthur Foundation "genius" grant in 1994, and a National Book Award for poetry in 1974 for Diving Into the Wreck. That volume, published in 1973, is considered her masterwork. Ms. Rich's other volumes of poetry include The Dream of a Common Language, A Wild Patience Has Taken Me This Far, An Atlas of the Difficult World, The School Among the Ruins, and Telephone Ringing in the Labyrinth. Her prose includes the essay collections On Lies, Secrets, and Silence; Blood, Bread, and Poetry; an influential essay, "Compulsory Heterosexuality and Lesbian Existence," and the nonfiction book Of Woman Born, which examines the institution of motherhood as a socio-historic construct. In 2006, Rich was awarded the Medal for Distinguished Contribution to American Letters by the National Book Foundation. In 2010, she was honored with The Griffin Trust for Excellence in Poetry's Lifetime Recognition Award.