Synopses & Reviews
I.B.Tauris is delighted to announce the reissue in paperback in three volumes of the definitive, most comprehensive edition, in the finest translations and fully annotated, of the writings of this great filmmaker, theorist and teacher of film -- and one of the most original aesthetic thinkers of the twentieth century.
Now in paperback for the first time, Volume 1 documents from the definitive Russian texts the complex course of Sergei Eisenstein's writings during the revolutionary years in the Soviet Union. It presents Eisenstein the innovative aesthetic thinker, socialist artist and humourist, passionately engaged in the debates over the art forms of the future. Importantly, this was also the period of Eisensteins great silent masterpieces, The Strike, The Battleship Potemkin, October and The General Line, and of his controversial sojourns in Hollywood and Mexico.
About the Author
Richard Taylor is Emeritus Professor of Politics and Russian Studies at Swansea University, Wales. His numerous books and articles on Russian and Soviet cinema, include Film Propaganda: Soviet Russia and Nazi Germany (1998) and the KINOfile Film Companion to The Battleship Potemkin (2001), both I.B.Tauris. He is Series Editor of Tauris' "KINO: The Russian Cinema Series."
Table of Contents
General Editor's Preface * Introduction * Translator's Note * Abbreviations * 1922: Sergei Yutkevich and Eisenstein: The Eighth Art * 1923: The Montage of Attractions * 1924: The Montage of Film Attractions * 1925: The Problem of the Materialist Approach to Form * 1926: Constanta (Whither 'The Battleship Potemkin') * 1927: Give Us a State Plan * 1928: Literature and Cinema: Reply to a Questionnaire * 1929: Conversation with Eisenstein on Sound Cinema * 1930: The Principles of the New Russian Cinema * 1932: Help Yourself? * 1933: Throug the Revolution to Art: Through Art to the Revolution * 1934: For Elevated Ideological Content, for Film Culture! * Notes * Index