Synopses & Reviews
Romance is a varied and fluid literary genre, notoriously difficult to define. This groundbreaking
Companion surveys the many permutations of romance throughout the ages. Comprising 30 essays written by leading authorities in the field, it considers the historical and literary development of the genre from its classical origins to the present day. The focus is on English literature, although this is placed within the larger context of perceptions of romance. The book incorporates discussion of the changing readership of romance, particularly romance’s special relation to women readers. It challenges the idea that the appeal of romance is exclusively escapist, drawing on a wide range of specific and influential literary examples.
The Companion is suitable for general readers and for those beginning their study of literature, as well as for readers seeking more specialized information on the issue of romance or on the individual types of writing, writers, and works considered.
Contributors to this volume:
Elizabeth Archibald, W. R. J. Barron, Derek Brewer, Helen Cooper, Richard Cronin, David Fairer, Robert Fraser, David Fuller, Jerrold E. Hogle, Kathryn Hume, Susan Jones, Andrew King, Edward Larrissy, Richard Mathews, Ulrika Maude, Clare Morgan, Lori Humphrey Newcomb, Francis O’Gorman, Michael O’Neill, Leonée Ormond, Lynne Pearce, Fiona Price, Clive Probyn, Fiona Robertson, Andrew Sanders, Corinne Saunders, John Simons, Raymond H. Thompson, Lisa Vargo, Judith Weiss
Review
“Acknowledging the difficulty of defining "romance," Saunders and the contributors collectively produce a volume that offers a more comprehensive survey of the literature--including its historical, national, and generic varieties--than have previous standard works on the subject…Some of the essays--e.g., Helen Cooper's "Malory and the Early Prose Romances" and Richard Cronin's "Victorian Romance: Medievalism"--are exemplary in the quality of their writing, scholarship, and critical perception…Highly recommended.”
Choice
"... It would be worth acquiring for an academic humanities collection and, from my own experience, would be particulary useful for English literature students at undergraduate and postgraduate level."
Reference Review
Synopsis
Romance is a varied and fluid literary genre, notoriously difficult to define. This groundbreaking
Companion surveys the many permutations of romance throughout the ages.
- Considers the literary and historical development of the romance genre from its classical origins to the present day
- Incorporates discussion of the changing readership of romance and of romance’s special relation to women readers
- Comprises 30 essays written by leading authorities on different periods and sub-genres
- Challenges the idea that the appeal of romance is exclusively escapist
- Draws on a wide range of specific and influential literary examples
About the Author
Corinne Saunders is a Reader in Medieval Literature at the University of Durham. Her previous publications include The Forest of Medieval Romance (1993), Rape and Ravishment in the Literature of Medieval England (2001) and Chaucer (2001) in the Blackwell Guides to Criticism series.
Table of Contents
List of Illustrations viiiAcknowledgments ix
Notes on Contributors x
Introduction 1
1. Ancient Romance 10
Elizabeth Archibald
2. Insular Beginnings: Anglo-Norman Romance 26
Judith Weiss
3. The Popular English Metrical Romances 45
Derek Brewer
4. Arthurian Romance 65
W. R. J. Barron
5. Chaucer’s Romances 85
Corinne Saunders
6. Malory and the Early Prose Romances 104
Helen Cooper
7. Gendering Prose Romance in Renaissance England 121
Lori Humphrey Newcomb
8. Sidney and Spenser 140
Andrew King
9. Shakespeare’s Romances 160
David Fuller
10. Chapbooks and Penny Histories 177
John Simons
11. The Faerie Queene and Eighteenth-century Spenserianism 197
David Fairer
12. ‘‘Gothic’’ Romance: Its Origins and Cultural Functions 216
Jerrold E. Hogle
13. Women’s Gothic Romance: Writers, Readers, and the Pleasures of the Form 233
Lisa Vargo
14. Paradise and Cotton-mill: Rereading Eighteenth-century Romance 251
Clive Probyn
15. ‘‘Inconsistent Rhapsodies’’: Samuel Richardson and the Politics of Romance 269
Fiona Price
16. Romance and the Romantic Novel: Sir Walter Scott 287
Fiona Robertson
17. Poetry of the Romantic Period: Coleridge and Keats 305
Michael O’Neill
18. Victorian Romance: Tennyson 321
Leonée Ormond
19. Victorian Romance: Medievalism 341
Richard Cronin
20. Romance and Victorian Autobiography: Margaret Oliphant, Edmund Gosse, and John Ruskin’s ‘‘needle to the north’’ 360
Francis O’Gorman
21. Victorian Romance: Romance and Mystery 375
Andrew Sanders
22. Nineteenth-century Adventure and Fantasy: James Morier, George Meredith, Lewis Carroll, and Robert Louis Stevenson 389
Robert Fraser
23. Into the Twentieth Century: Imperial Romance from Haggard to Buchan 406
Susan Jones
24. America and Romance 424
Ulrika Maude
25. Myth, Legend, and Romance in Yeats, Pound, and Eliot 438
Edward Larrissy
26. Twentieth-century Arthurian Romance 454
Raymond H. Thompson
27. Romance in Fantasy Through the Twentieth Century 472
Richard Mathews
28. Quest Romance in Science Fiction 488
Kathryn Hume
29. Between Worlds: Iris Murdoch, A. S. Byatt, and Romance 502
Clare Morgan
30. Popular Romance and its Readers 521
Lynne Pearce
Epilogue: Into the Twenty-first Century 539
Corinne Saunders
Index 542