Synopses & Reviews
Few cinematographers have had as decisive an impact on the cinematic medium as John Alton. Best known for his highly stylized film noir classics T-Men, He Walked by Night, and The Big Combo, Alton earned a reputation during the 1940s and 1950s as one of Hollywood's consummate craftsmen through his visual signature of crisp shadows and sculpted beams of light. No less renowned for his virtuoso color cinematography and deft appropriation of widescreen and Technicolor, he earned an Academy Award in 1951 for his work on the musical An American in Paris. First published in 1949, and long out of print since then, Painting With Light remains one of the few truly canonical statements on the art of motion picture photography, an unrivalled historical document on the workings of the postwar, American cinema. In simple, non-technical language, Alton explains the job of the cinematographer and explores how lighting, camera techniques, and choice of locations determine the visual mood of film. Todd McCarthy's introduction, written especially for this edition, provides an overview of Alton's biography and career and explores the influence of his work on contemporary cinematography.
Review
"Provides fascinating insights into the mechanisms of the studio system."
Synopsis
The image that appears on the movie screen is the direct and tangible result of the joint efforts of the director and the cinematographer. A Hidden History of Film Style is the first study to focus on the collaborations between directors and cinematographers, a partnership that has played a crucial role in American cinema since the early years of the silent era. Christopher Beach argues that an understanding of the complex director-cinematographer collaboration offers an important model that challenges the pervasive conventional concept of director as auteur. Drawing upon oral histories, early industry trade journals, and other primary materials, Beach examines key innovations like deep focus, color, and digital cinematography, and in doing so produces an exceptionally clear history of the craft. Through analysis of several key collaborations in American cinema from the silent era to the late twentieth centuryand#151;such as those of D. W. Griffith and Billy Bitzer, William Wyler and Gregg Toland, and Alfred Hitchcock and Robert Burksand#151;this pivotal book underlines the importance of cinematographers to both the development of cinematic technique and the expression of visual style in film.
Synopsis
Through conversations held with fifteen of the most accomplished contemporary cinematographers, the authors explore the working world of the person who controls the visual look and style of a film. This reissue includes a new foreword by cinematographer John Bailey and a new preface by the authors, which bring this classic guide to cinematography, in print for more than twenty-five years, into the twenty-first century.
Synopsis
"A wonderful introduction to the workings of the Hollywood system. We learn in rich and yet accessible detail about special effects, technical wizardry and gadgetry, lighting, make-up, the breakdown of crews, and filming strategies. The book is legendary and its reprint is a major event for film study."Dana Polan, University of Pittsburgh
About the Author
John Alton (1901-1996) was a Hungarian-born master cinematographer. His work ranged widely, including sharp-shadowed film noir classics such as
He Walked By Night, Anthony Mann westerns, musicals (including
An American in Paris, for which he won an Oscar), and many others.
Painting with Light embodies his versatile, beautiful, often mannered, approach to lighting a film; he insisted that naturalistic lighting was only one option among many, and that directors ought to use light creatively to suit their vision and their story.
Todd McCarthy is chief film critic of Variety, co-editor of The King of Bs (1975), and writer and co-director of the award-winning documentary Visions of Light: The Art of Cinematography (1992). John Bailey is an award-winning cinematographer and blogger for the American Society of Cinematographers who has written many articles and think-pieces on the transition from celluloid to digital film making.
John Bailey, a director of photography since 1978, has photographed more than 75 feature films and documentaries. He serves on the Boards of Governors of the ASC, the Academy of Motion Picture Arts and Sciences, and the National Film Preservation Board.
Table of Contents
Foreword
Film Noir's Sorcerer of Light: John Alton
by John Bailey
Preface
Through a Lens Darkly: The Life and Films of John Alton
by Todd McCarthy
Filmography
by Todd McCarthy and Dennis Jakob
1. Hollywood Photography
2. Motion Picture Illumination
3. Mystery Lighting
4. Special Illumination
5. The Hollywood Close-up
6. Outdoor Photography
7. Symphony in Snow
8. Ocean Voyage
9. Visual Music
10. The Portrait Studio
11. The Laboratory
12. Day and Night, Ladies, Watch Your Light
13. Motion Picture Theaters
14. The World Is a Huge Television Studio and We Are All Photographers