Synopses & Reviews
“Over the years I have developed a distaste for the spectacle of joie de vivre, the knack of knowing how to live,” begins the title essay by Phillip Lopate. This rejoinder to the cult of hedonism and forced conviviality moves from a critique of the false sentimentalization of children and the elderly to a sardonic look at the social rite of the dinner party, on to a moving personal testament to the “hungry soul.” Lopates special gift is his ability to give us not only sophisticated cultural commentary in a dazzling collection of essays but also to bring to his subjects an engaging honesty and openness that invite us to experience the world along with him. Also included here are Lopates inspiring account of his production of Chekhovs Uncle Vanya with a group of preadolescents, a look at the tradition of the personal essay, and a soul-searching piece on the suicide of a schoolteacher and its effect on his students and fellow teachers. By turns humorous, learned, celebratory, and elegiac, Lopate displays a keen intelligence and a flair for language that turn bits of common, everyday life into resonant narrative. This collection maintains a conversational charm while taking the contemporary personal essay to a new level of complexity and candor.
Review
“Lopate entertains by blasting write-your-own-vows weddings, camaraderie in bars and the enforced gaiety of dinner parties but expounds more positively on movies, friendship and subletting as a lifestyle. . . . Despite its cranky title, this lively, unpredictable collection of essays is a joy to read, and read again.”—Publishers Weekly Publishers Weekly
Review
“Subtle, profound (and slightly devilish). Phillip Lopate can express the nuances of the urban mind better than anyone else I know. Phillip Lopate is one of the best essayists in America.”—Noel Perrin Noel Perrin
Review
"Jagged pieces of a mirror that reveal a quirky, informed and immensely curious character."—Kirkus
Review
"I won’t be forgetting about this book anytime soon."—Michael Buening, PopMatters
Review
“David Lazar is both a charmer and a challenger. His supple, cultivated mind is constantly moving, full of surprises; his puckish wit and exacting standards raise the bar for all contemporary literary nonfiction. This is an exciting collection, drawing strength from both the grand essay tradition and the cutting edge, and it is highly recommended.”—Phillip Lopate, editor of The Art of the Personal Essay
Review
“David Lazar is a master of shimmering threshold moments, where acts of assertion and discovery face off (or is it hold hands?). Offering startling intimacies, gentle beckonings, and the severities of hard-won truths, Lazar is fearless about this core belief: investigations of form and self are one and the same adventure.”—Lia Purpura, author of Rough Likeness: Essays
Review
“The spirits of past masters (Montaigne and Charles Lamb among them) animate and infuse the enthralling essays of David Lazar, a succinct virtuoso, whose gift is rueful, charm-filled introspection. His recollections and avowals unfurl with stellar melodiousness, and with a skilled comics perfect timing.”—Wayne Koestenbaum, author of Humiliation
Synopsis
In his new collection of essays,
Occasional Desire, David Lazar meditates on random violence and vanished phone booths, on the excessive relationship to jewelry that links Kobe Bryant and Elizabeth Taylor, on Hitchcock, Francis Bacon, and M. F. K. Fisher. He explores, in his concentrically self-aware, amused, and ironic voice, what it means to be occasionally aware that we are surviving by our wits, and that our desires, ulterior or obvious, are what keep us alive. Lazar also turns his attention on the essay itself, affording us a three-dimensional look at the craft and the art of reading and writing a literary form that maps the world as it charts the peregrinations of the mind.
Lazar is especially interested in the trappings of memory, the trapdoors of memory, the way we gild or codify, select, soften, and self-delude ourselves based on our understanding of the past. His own process of selection and reflection reminds us of how far this literary form can take us, bound only by the limits of desire and imagination.
About the Author
Phillip Lopate is a professor of English at Hofstra University and teaches in the MFA graduate programs at Columbia, the New School, and Bennington. He is the editor of American Movie Critics: An Anthology from the Silents until Now and has published two novels and numerous nonfiction collections, including Portrait of My Body and Totally, Tenderly, Tragically.