Synopses & Reviews
Part of the Royal Court’s ground-breaking international season, these plays are a unique double-bill of new Brazilian plays in English translation. Both plays are avowedly influenced by Harold Pinter, but have their own uncanny way of building atmosphere by what is not said. Barbosa’s writing hints at the murky morality that lies beneath the surface of normal life.
Synopsis
A Pinteresque double-bill from a brilliant young Brazillian writer.
About the Author
Marcos Barbosa took part in a writers' group run by the Royal Court in his native city oif Sao Paulo, Brazil, in 2001. Almost Nothing premiered at the Teatro Popular in Sao Paulo in Sept 2003.