Synopses & Reviews
In recent years few topics within film studies, and especially Hollywood cinema, have attracted more attention than American independent cinema. Written by some of the leading authors in the field, American independent cinema: indie, indiewood and beyond will introduce students to recent developments as well as reviewing, reassessing and revising particular positions, approaches and arguments concerning American independent cinema. Structured as four carefully designed sections: Approaching Independence; Indie Manifestations; Independents and Hollywood and Alternative Voices, these essays:
- Explore new definitions of independent cinema and new conceptual frameworks for thinking about what constitutes independent filmmaking practice in the United States
- Revisit and reexamine particular junctures in the history of American cinema through the prism of independence.
- Reassess the relationship between commercial mainstream producers and independent producers and explore their co-dependency at particular historical moments.
- Explore the various manifestations of independence under particular institutional circumstances.
- Discuss recent developments in the sector such as reception practices that originate on the web or the establishment of specialty arms for the production and distribution of genre films
American Independent Cinema will provide a definitive research tool for both students and academics involved in the study and research of independent film in the US.
Contributors: Janet Staiger, Yannis Tzioumakis, Geoff King, James MacDowell, Michael Z. Newman, Mark Gallagher, Warren Buckland, Alisa Perren, Thomas Schatz, Peter Kr mer, Claire Molloy, Michele Schreiber, Gary Needham and Novotny Lawrence and Philip Drake.
Synopsis
The American independent sector has attracted much attention in recent years, an upsurge of academic work on the subject being accompanied by wider public debate. But many questions remain about how exactly independence should be defined and how its relationship might be understood with other parts of the cinematic landscape, most notably the Hollywood studios. Edited and written by leading authors in the field, American Independent Cinema: indie, indiewood and beyond offers an examination of the field through four sections that range in focus from broad definitions to close focus on particular manifestations of independence. A wide variety of examples are included but within a framework that offers insights into how these are related to one another.
More specifically this collection offers:
- an account of recent developments as well as reviewing, reassessing and revising a number of central positions, approaches and arguments relating to various parts of the independent and/or indie sector.
- Individual case studies that range from the distinctive qualities of the work of established 'quality' filmmakers such as Wes Anderson, Steven Soderbergh and Rebecca Miller to studies of horror genre production at the more 'disreputable' end of the independent spectrum.
- Examples of the limits of independence available in some cases within Hollywood, including studies of the work of Stanley Kubrick and Hal Ashby.
- Case studies of under-researched areas in the margins of American independent cinema, including the Disney nature films and Christian evangelical filmmaking.
- A number of wider overview chapters that examine contemporary American independent cinema from a number of perspectives.
Together, the chapters in the collection offer a unique contribution to the study of independent film in the United States.
Contributors: Warren Buckland, Philip Drake, Mark Gallagher, Geoff King, Peter Kr mer, Novotny Lawrence, James MacDowell, Claire Molloy, Michael Z. Newman, Alisa Perren, James Russell, Thomas Schatz, Michele Schreiber, Janet Staiger, Yannis Tzioumakis, Sarah Wharton