Synopses & Reviews
The art. The craft. The business. Animation Writing and Development takes students and animation professionals alike through the process of creating original characters, developing a television series, feature, or multimedia project, and writing professional premises, outlines and scripts. It covers the process of developing presentation bibles and pitching original projects as well as ideas for episodes of shows already on the air. Animation Writing and Development includes chapters on animation history, on child development (writing for kids), and on storyboarding. It gives advice on marketing and finding work in the industry. It provides exercises for students as well as checklists for professionals polishing their craft. This is a guide to becoming a good writer as well as a successful one.
* Filled with writing exercises that will challenge your writing limits
* Understand inspiration, idea gathering, and story development
* Tips on how to write for kids and why certain stories appeal to different ages
* The how and why of dialogue-what works, and what doesn't
Review
s
*"What could be better than a mentor who really cares? Jean Ann Wright more than qualifies as a topnotch writing mentor for animation, one who cares about her readers and their potential careers. With that foundation in mind, I say, take this great book and run with it...er...better still...write with it!"
Rita Street, longtime Publisher/Editorial Director, Animation Magazine
Review
"The real value of this tome lies in its concise technical approach, offering newcomers various route-maps through the storytelling maze." - Imagine magazine
About the Author
Jean Ann Wright serves as an animation pre-production consultant, specializing in writing and development, design, storyboard, casting, and voice-overs. Jean worked at Hanna-Barbera for eight years as an assistant animator. Her animation training included classes in writing and development, voice-overs, storyboard, layout, character design, and animation. She took voice-over classes from Michael Bell, a well-known voice-over professional. Professionally, she's worked as an animation writer, assistant animator, dancer, model, and television production assistant. She's worked for television networks, animation companies, and assorted television production companies.
Jean Ann Wright serves as an animation pre-production consultant, specializing in writing and development, design, storyboard, casting, and voice-overs. Jean worked at Hanna-Barbera for 8 years as an assistant animator. Professionally, she's worked in film, television and animation as an animation writer, assistant animator, dancer, model, and television production assistant.
Table of Contents
1. Introduction to Animation
2. Animation History
3. Getting Ideas
4. Child Development
5. Developing Characters
6. Animation Development and the Bible
7. The Premise
8. General Animation Structure and Sub Plots
9. The Outline
10. Storyboard for Writers
11. The Scene
12. Gags and Comedy Writing
13. Dialogue
14. The Script
15. The Feature
16. Genres and Other Media
17. Editing and Rewriting
18. Marketing
19. The Pitch
20. Agents, Networking and Finding Work
21. Children's Media