Synopses & Reviews
This fascinating publicationand#160;sheds light on a medium that combines the qualities of drawing with those of sculpture, printmaking, and painting, and is the first to focus exclusively on the art technique known as frottage, derived from the French word frotter, meaning andldquo;to rub.andrdquo; Over 100 pieces, ranging from contemporary conceptual works to rubbings recording tombs and inscriptions, are assembled and sumptuously reproduced in color. More than 50 artists--including the famous, like Max Ernst, inventor of the term andldquo;frottage,andquot; and theand#160;relatively unknown--are presented. Four thematic sections explore different aspects of frottage: its roots in Surrealism and the practice of automatic drawing; the notion of trace, of either a place or an idea left behind in a rubbing; the andldquo;apparitionsandrdquo; or ghostlike attributes that can appear on the surface of an artwork; and the associations between rubbings, death, and memory. and#160;
This publication is the first to focus exclusively on the art technique known as frottage
, discussing its roots in Surrealism and contemporary practitioners.
About the Author
is a drawings specialist and curator at large for the Menil Drawing Institute, The Menil Collection.