Synopses & Reviews
The first thing you need to know about this city is that it is big. It is difficult to explain to someone who has never seen it. You can fold his town into a corner of one of the city's five separate sectors and still have room for more. The next thing you need to know is that it's dangerous. Never mind the reassuring bulletins from the mayor's office; just watch the first ten minutes of the eleven o'clock news and you'll learn exactly what the people of this city are capable of doing to other people in this city. So, if you came here thinking, Gee, there's going to be a neat little murder that takes place in a town house and some blue-haired lady will solve it, then you came to the wrong city at the wrong time of year. In this city, you have to pay attention. In this city, things are happening all the time, all over the place, and you don't have to be a detective to smell evil in the wind.
This week's city tabloids depict the face of a pretty, dead girl who lay sprawled near a park bench not seven blocks from the 87th precinct house, while the late night news reports on the latest exploits of The Cookie Boy, a professional thief who leaves a box of chocolate chip cookies behind after a score. Behind the scenes, detectives Carella and Brown soon discover that this is not your average dead girl, but one with an unusual past. As they piece together her secrets, detectives Meyer and Kling search Isola's pawnshops for items stolen by The Cookie Boy. While the detectives are investigating their cases, one of them is being stalked by the man who killed his father.
Like the city itself, this novel is wonderfully complex and filled with memorable characters, honest dialogue, and breathtaking violence.
Review
People Ed McBain is, by far, the best at what he does. Case closed.
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Publishers Weekly McBain is so good he ought to be arrested.
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Robert B. Parker It's hard to think of anyone better at what he does. In fact, it's impossible.
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Boston Herald Classic McBain -- taut with trenchant dialogue....In The Big Bad City, McBain proves he can pack punches in both the physical and emotional arenas.
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Seattle Times-Post Intelligencer As good as it gets...compulsively readable.
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New York Newsday Full of noir touches and snappy dialogue.
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The Philadelphia Inquirer Vintage stuff. The dialogue is sharp, the plotting accomplished, and the prose bears the McBain stamp uncluttered, unpretentious, ironic.
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Omaha WorkHerald (NE) [A] juicy mystery...McBain...lives up to his daunting reputation....The 87th Precinct is always an exciting place to visit.
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Syracuse Herald-American (NY) If you're looking for a sure thing, pick this one up.
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Winston-Salem Journal (NC) You wouldn't want to live there, but you will enjoy visiting The Big Bad City.
Synopsis
The first thing you need to know about this city is that it is big. It is difficult to explain to someone who has never seen it. You can fold his town into a corner of one of the city's five separate sectors and still have room for more. The next thing you need to know is that it's dangerous. Never mind the reassuring bulletins from the mayor's office; just watch the first ten minutes of the eleven o'clock news and you'll learn exactly what the people of this city are capable of doing to other people in this city. So, if you came here thinking, Gee, there's going to be a neat little murder that takes place in a town house and some blue-haired lady will solve it, then you came to the wrong city at the wrong time of year. In this city, you have to pay attention. In this city, things are happening all the time, all over the place, and you don't have to be a detective to smell evil in the wind.
This week's city tabloids depict the face of a pretty, dead girl who lay sprawled near a park bench not seven blocks from the 87th precinct house, while the late night news reports on the latest exploits of The Cookie Boy, a professional thief who leaves a box of chocolate chip cookies behind after a score. Behind the scenes, detectives Carella and Brown soon discover that this is not your average dead girl, but one with an unusual past. As they piece together her secrets, detectives Meyer and Kling search Isola's pawnshops for items stolen by The Cookie Boy. While the detectives are investigating their cases, one of them is being stalked by the man who killed his father.
Like the city itself, this novel is wonderfully complex and filled with memorable characters, honest dialogue, and breathtaking violence.
About the Author
Ed McBain, a recipient of the Mystery Writers of America's coveted Grand Master Award, was also the first American to receive the Diamond Dagger, the British Crime Writers Association's highest award. His books have sold more than one hundred million copies, ranging from the more than fifty titles in the 87th Precinct series (including the Edgar Award–nominated
Money, Money, Money) to the bestselling novels written under his own name, Evan Hunter—including
The Blackboard Jungle (now in a fiftieth anniversary edition from Pocket Books) and Criminal Conversation.
Fiddlers, his final 87th Precinct novel, was recently published in hardcover. Writing as both Ed McBain and Evan Hunter, he broke new ground with
Candyland, a novel in two parts. He also wrote the screenplay for Alfred Hitchcock's
The Birds. He died in 2005.
Visit EdMcBain.com.