Synopses & Reviews
Like Conrad's Marlow, Joseph Millar speaks with fierce compassion and the authority of hard-won experience. In his remarkable third collection, Blue Rust, he lays down "the shield of irony" without taking up the consolations of easy sentiment or detached despair. The result is an unstrained originality: lyrics that avoid the metronome, leaps of imagination in which the associative logic never trails off into self-indulgent incoherence. Millar looks hard at a world that is doomed and beautiful. What sets Blue Rust apart is its ability to honor both sides.
Review
There's so much kindness and honesty in these poems . . . long spiraling sentences full of used cars and kung pao chicken, umbilical blood and rent money, lentils and sausage and death. . . . Blue Rust is a big beautiful book of poems--moving, sensuous, artful, full of courage and blessings. I love it.
--Tony Hoagland
This book is terrific. Whether it's the true grit of blue rust or the true reckoning of the "blue compass needle," Millar's poems show us the verities of our human journeys. This is truly a poet of the people, a voice for our time.
--Barbara Ras
Millar writes about people with grease on their hands, ordinary men and women trying to make it in a hard luck world. His poems always seem to be in motion, arriving or departing, true to the rhythm of our lives. He can be as consoling as a lucky red sweater, and as irreverent as your middle finger. He's a pleasure at every turn of the page.
--Peter Everwine
Joseph Millar's Blue Rust is one of the most beautiful books I've read in years. In the tender, unflinching spirit of James Wright and William Carlos Williams, Millar explores the marginal, neglected nooks and crannies of private and public life. These poems combine remarkable simplicity of means with an even more remarkable complexity of effect . . .
--Alan Shapiro
About the Author
Joseph Millar's first collection, Overtime (2001) was finalist for the Oregon Book Award. A second collection, Fortune, appeared in 2007. Millar grew up in Pennsylvania, attended the Johns Hopkins Writing Seminars and spent 25 years in the San Francisco Bay area working at a variety of jobs, from telephone repairman to commercial fisherman. It would be two decades before he returned to poetry. His poems record the narrative of a life fully lived among fathers, sons, brothers, daughters, weddings and divorces, men and women. His work has won fellowships from the National Endowment for the Arts and a 2008 Pushcart Prize and has appeared in such magazines as DoubleTake, TriQuarterly, New Letters, The Southern Review, APR, and Ploughshares. In 1997 he gave up his job as telephone installation foreman to try his hand at teaching. Millar is now core faculty at Pacific University's Low Residency MFA and lives in Raleigh, NC, with his wife, the poet Dorianne Laux.