Synopses & Reviews
Blending insights from linguistic and social theories of speech, ritual and narrative with music-analytic and historical criticism,Britten's Musical Language offers fresh perspectives on the composer's fusion of verbal and musical utterance in opera and song. It provides close interpretative studies of the major scores (including Peter Grimes, Billy Budd, The Turn of the Screw, War Requiem, Curlew River and Death in Venice) and explores Britten's ability to fashion complex and mysterious symbolic dramas from the interplay of texted song and wordless discourse of motives and themes.
Review
"A probing examination of selected works from Britten's massive oeuvre." --Opera Journal
Synopsis
Examines Britten's fusion of verbal and musical sound in opera and song.
Table of Contents
1. Introduction: Britten's musical language; 2. Peter Grimes: the force of operatic utterance; 3. Motive and narrative in Billy Budd; 4. The Turn of the Screw: innocent performance; 5. Rituals: the War Requiem and Curlew River; 6. Subjectivity and perception in Death in Venice.