Synopses & Reviews
This Companion is designed to provide the enquiring music lover with helpful insights into a musical style that recognizes no contradictions between the accessible and the sophisticated, between the popular and the significant.
Review
"...each article rewards careful reading, and the whole book forms a praiseworthy contribution to the analytical literature on Chopin." Notes"Not just another series of collected essays about Chopin, these 12 pieces were obviously put together with a great amount of care and expertise....Highly recommended for all music collections...." Choice
Synopsis
Twelve essays by leading Chopin scholars provide a uniquely comprehensive guide to the composer and his music.
Synopsis
The Cambridge Companion to Chopin is designed to provide the enquiring music-lover with helpful insights into Chopin's music and to account for a musical style which recognises no contradiction between the accessible and the sophisticated, the popular and the significant.
Description
Includes bibliographical references (p. 333-334) and index.
Table of Contents
Myth and reality: a biographical introduction; Part I. The Growth of a Style: 1. Piano music and the public concert, 1800-1850 Janet Ritterman; 2. The nocturne: development of a new style David Rowland; 3. The twenty-seven etudes and their antecedents Simon Finlow; 4. Tonal architecture in the early music John Rink; Part II. Profiles of the Music: 5. Extended forms: the ballades, scherzos and fantasies Jim Samson; 6. The piano miniature: aspects of formal design Jeffrey Kellberg; 7. Beyond the dance Adrian Thomas; 8. The sonatas Anatole Leikin; Part III. Reception: 9. Chopin in performance James Methuen-Campbell; 10. Chopin reception in nineteenth-century Poland Zofia Chechlinska; 11. Victorian attitudes to Chopin Derek Carew; 12. Chopin's influence on the Fin de Siècle and beyond Roy Howat; Appendix: An historical survey of Chopin on disc James Methuen-Campbell.