Synopses & Reviews
Concerned principally to situate Hartmann's works in their social and cultural historical context, Jackson's carefully constructed and lucidly written book will be required and compelling reaading at every level of interest, from undergraduate student to specialist scholar. It expounds knighthood as the major theme of Hartmann's varied oeuvre, reflected and refracted through the prism of different genres, fictional material and narrative positions. Jackson's unrivalled grasp of the historical evidence for the material, social and ideological dimensions of chivalry in the twelfth century is brought to bear on the texts in a way which never reduces these to mere functions of an extra-literary reality, but brings out the subtle and dynamic interplay of their aesthetic patterns and documentary correlatives... The book also builds up a persuasive framework for understanding Hartmann's literary production as a whole and for grasping it as an evolving reflection of and on knighthood as the key mode and model of social self-realisation for his chivalric audience.' FORUM FOR MODERN LANGUAGE STUDIES Hartmann von Aue is a major figure in medieval German literature, and his works document key features of the history of chivalry in an important phase of transition and consolidation. This book is the first full-scale enquiry undertaken of the presentation of the role of knighthood across the full range of Hartmann's works, considering the social, ideological and literary dimensions of chivalry and fruitfully combining literary, linguistic and historical approaches. The opening chapters place Hartmann's works in the broader perspective of Arthurian literature and of kingship and chivalry in westernEurope, and in the context of the changing historical reality of knighthood as a military and a social order in twelfth-century Germany. Further chapters are devoted to each of his works, Erec, Gregorius, the Klage and his lyrics, Der arme Heinrich and Dwein, which are interpreted both with a historical
Synopsis
Hartmann von Aue is a major figure in medieval German literature; his works are important in the history of chivalry, highlighting its key features at an important phase of transition and consolidation. His unusual position as an educated knight gave him access to the worlds of clerical learning and spirituality as well as secular aristocracy, and he draws on all these sources to provide a complex and revealing vernacular self-interpretation of knighthood. This book is the first full-scale enquiry into the presentation and the role of knighthood and chivalric values across the full range of Hartmann's poems; Dr Jackson considers chivalry and its social and ideological dimensions in Hartmann's works, and in the historical context. The various strands of influence that informed the developing ideology of chivalry in the late twelfth century are explored, fruitfully combining literary, linguistic and historical approaches. The opening chapter places Hartmann's works in the broader perspective of Arthurian literature and of kingship and chivalry in the twelfth-century, while the second examines the historical reality of knighthood as a military and a social order in twelfth-century Germany. Further chapters are devoted to each of Hartmann's works, 'Erec, Gregorius', the 'Klage' and his lyrics, 'Der arme Heinrich' and 'Iwein', which are interpreted with a historical perspective, and in the light of Hartmann's French sources. This study linksup to current debates on both the historical study of chivalry, and the literary interpretation of Hartmann's poems. It sheds fresh light on the relation of aesthetic stylization and social function in these works, and contributes to an understanding of the history of aristocratic self-consciousness by analyzing the social, ideological and literary dimensions of chivalry in the works of an educated and thinking knightly author. Dr W.H. JACKSON teaches in the Department of German, University of St Andrews.
Synopsis
The first book in English to cover the whole production of Hartmann von Aue (fl.1180-1203), a figure of paramount importance in the history of medieval German literature... His book is refreshing...and full of stimulating ideas. MEDIUM AEVUMFirst full-scale exploration of knighthood and chivalric values in poems of key figure in 12c German literature, Hartmann von Aue.
Concerned principally to situate Hartmann's works in their social and cultural historical context, Jackson's carefully constructed and lucidly written book will be required and compelling reaading at every level of interest, fromundergraduate student to specialist scholar. It expounds knighthood as the major theme of Hartmann's varied oeuvre, reflected and refracted through the prism of different genres, fictional material and narrative positions. Jackson's unrivalled grasp of the historical evidence for the material, social and ideological dimensions of chivalry in the twelfth century is brought to bear on the texts in a way which never reduces these to mere functions of an extra-literary reality, but brings out the subtle and dynamic interplay of their aesthetic patterns and documentary correlatives... The book also builds up a persuasive framework for understanding Hartmann's literary production as a whole and for grasping it as an evolving reflection of and on knighthood as the key mode and model of social self-realisation for his chivalric audience.' FORUM FOR MODERN LANGUAGE STUDIES Hartmann von Aue is a major figure in medieval German literature, and his works document key features of the history of chivalry in an important phase of transition and consolidation. This book is the first full-scale enquiry undertaken of the presentation of the role ofknighthood across the full range of Hartmann's works, considering the social, ideological and literary dimensions of chivalry and fruitfully combining literary, linguistic and historical approaches. The opening chapters place Hartmann's works in the broader perspective of Arthurian literature and of kingship and chivalry in western Europe, and in the context of the changing historical reality of knighthood as a military and a social order in twelfth-century Germany. Further chapters are devoted to each of his works, Erec, Gregorius, the Klage and his lyrics, Der arme Heinrich and Dwein, which are interpreted both with a historical
Description
Includes bibliographical references (p. 291-313) and index.