Synopses & Reviews
Showalter's thoughtful, detailed introductory essay is a comprehensive analysis between Rosetti's novella and Craik's essays...the biographical portrait of Christina Rossetti's conflicts makes her a vivid example of the psychological and social barriers to the development of the female poets...her description of Dinah Mulock Craik stressed this woman's common-sense approach to ameliorating the position of the working-class woman in society...useful to students of feminist theory and of Victorian literature.
Academic Library Book Review
Cristina Rossetti was nineteen years old when she wrote Maude: Prose and Verse in 1850. Clearly autobiographical, the novel examines the heroine's endeavor to resist the notion that modesty, virtue and domesticity constitute the sole duties of womanhood.
For the precocious young poet, the work was only one of several projects of her teens. Growing up in London as the youngest child in a gifted and unusual family of artists and writers, Rossetti had early developed a poetic vocation. But by the time she wrote Maude, the lively, passionate, and adventurous little girl who had hated needlework, delighted in fiercely competitive games of chess, and explored the country with her brothers became a painfully constrained, sickly, and over-scrupulous teenager. Maude makes clear that at least some of Rossetti's affliction came from anxieties about poetic achievement, her wishes both to be admired for her genius and to renounce it as unfeminine. Often overshadowed by her brother Dante Gabriel Rossetti, Christina struggled to express her own independent authorial voice, and to resist a life bound by the constraints and demands of the traditional female role.
Other late Victorian attitudes towards Anglican women's communities are brought out in On Sisterhoods by Dinah Mulock Craik which appeared in Longman's magazine in 1883. Craik herself worked on the literary border between feminine gentility and feminist rebellion. In 1850, when Christina Rossetti was writing Maude within the confines of her family, Dinah Mulock was supporting herself and her two younger brothers by her pen. On Sisterhoods confronts head-on `the woman question.' Asserting that women's role is to find beauty in their lives through altruism and good works--to be more or less `good women'--Craik provides a radical solution to the `woman question' by advocating the encouragement of Anglican sisterhoods, effectively women's co-operatives. For her, the strongest argument for such a sisterhood is the alternative life it offers to single women, with no outlets for their maternal emotions.
The third text presented here, Craik's A Woman's Thoughts About Women, was a widely circulated manual of advice on female self-sufficiency for unmarried women, based on her own experience in a family left destitute by an eccentric father when she was nineteen. It addressed a pressing contemporary problem: the large number of urban single women who were well educated and qualified but for whom traditional employment offered no place. Craik understood that independence would come hard to middle-class women, yet she was optimistic about the ways women might re-educate themselves, abandoning false pride and learning to manage small businesses or conduct trades.
Throughout her career, Craik masked her private feminist views with disdain for women's rights and criticism of women's public activism. Unmarried and self-supporting until the age of forty, she wrote about the problems of single and working women in over fifty popular novels, children's stories and collections of essays.
Review
“He provides an important contribution to the dynamic study of the legal and political status of racial and ethnic minorities in the United States.”
-The Law and Politics Book Review,
Review
“Tehranian's book covers fresh legal and social territory . . . consistently informative and casts off the cloak of invisibility.”
-Publishers Weekly,
Review
“Tehranian has written a compelling account of discrimination against those of Middle Eastern descent. His book is an important addition to the literature on race in America and could not be more timely.”
-Erwin Chemerinsky,Founding Dean and Distinguished Professor of Law, University of California, Irvine, School of Law
Review
“A refreshing analysis and accessible account of the contradictory classification of Middle Eastern Americans as whites in the early 1900s and as non-whites a century later.”
-Mehdi Bozorgmehr,co-author of Backlash 9/11: Middle Eastern and Muslim Americans Respond
Review
“A learned, witty, and analytically biting analysis of race politics and race jurisprudence. A brilliant case that race is understood through performance and is hostage to the politics of fear. Tehranians legal and intellectual thriller is hard to put down.”
-James C. Scott,Sterling Professor of Political Science and Anthropology, Yale University
Synopsis
Middle Easterners: Sometimes White, Sometimes NotThe Middle Eastern question lies at the heart of the most pressing issues of our time: the war in Iraq and on terrorism, the growing tension between preservation of our national security and protection of our civil rights, and the debate over immigration, assimilation, and our national identity. Yet paradoxically, little attention is focused on our domestic Middle Eastern population and its place in American society. Unlike many other racial minorities in our country, Middle Eastern Americans have faced rising, rather than diminishing, degrees of discrimination over time; a fact highlighted by recent targeted immigration policies, racial profiling, a war on terrorism with a decided racialist bent, and growing rates of job discrimination and hate crime. Oddly enough, however, Middle Eastern Americans are not even considered a minority in official government data. Instead, they are deemed white by law.
In Whitewashed, John Tehranian combines his own personal experiences as an Iranian American with an expert's analysis of current events, legal trends, and critical theory to analyze this bizarre Catch-22 of Middle Eastern racial classification. He explains how American constructions of Middle Eastern racial identity have changed over the last two centuries, paying particular attention to the shift in perceptions of the Middle Easterner from friendly foreigner to enemy alien, a trend accelerated by the tragic events of 9/11. Focusing on the contemporary immigration debate, the war on terrorism, media portrayals of Middle Easterners, and the processes of creating racial stereotypes, Tehranian argues that, despite its many successes, the modern civil rights movement has not done enough to protect the liberties of Middle Eastern Americans.
By following how concepts of whiteness have transformed over time, Whitewashed forces readers to rethink and question some of their most deeply held assumptions about race in American society.
About the Author
Christina Georgina Rossetti was born in London on December 5, 1830. Along with being a young poet, Rossetti also became an Italian professor at King's College, University of London. Rossetti's intense devotion to religion showed in her various works, including "Uphill", her most famous work. Overall, Rossetti did not publish much, but she did submit her first volume of poetry, Goblin Market and Other Poems. Christina Georgina Rossetti died in London on December 29, 1894.In 1977, Showalter published A Literature of Their Own: British Women Novelists from Bronte to Lessing. It was one of the most influential works in feminist criticism, as it sought to establish a distinctive tradition for women writers. In later essays, Showalter helped to develop a clearly articulated feminist theory with two major branches: the special study of works by women and the study of all literature from a feminist perspective. In all of her recent writing, Showalter has sought to illuminate a "cultural model of female writing,"distinguishable from male models and theories. Her role as editor bringing together key contemporary feminist criticism has been extremely influential on modern literary study.