Synopses & Reviews
In this engrossing cultural history of baseball in Taiwan, Andrew D. Morris traces the game's social, ethnic, political, and cultural significance since its introduction on the island more than one hundred years ago. Introduced by the Japanese colonial government at the turn of the century, baseball was expected to "civilize" and modernize Taiwan's Han Chinese and Austronesian Aborigine populations. After World War II, the game was tolerated as a remnant of Japanese culture and then strategically employed by the ruling Chinese Nationalist Party (KMT) while also enthroned by Taiwanese politicians, cultural producers, and citizens alike as their national game. In considering baseball's cultural and historical implications, Morris deftly addresses a number of societal themes crucial to understanding modern Taiwan, the question of Chinese "reunification," and East Asia as a whole. Colonial Project, National Game transcends the limits of sports histories in its investigations of the many intersections between discourses of colonialism, ethnicity, gender, the body, nationalism, the cold war, globalization, and postcolonialism in modern Taiwan.
Review
and#8220;An excellent read and a must study for anyone wishing to understand baseball in a global setting. . . . Highly recommended.and#8221;
Review
and#8220;Morris offers an innovative reading of history.and#8221;
Review
“Captivating prose. . . . A much-needed view from the margins.” Pacific Affairs, Ubc
Review
“Beautifully written.“ American Historical Review
Review
and#8220;Offers indispensable elements of knowledge and analyses to those intending to include baseball in their future studies of Taiwan.and#8221;
Review
and#8220;Morrisand#8217;s nuanced account of the history of baseball in Taiwan is an enjoyable read. . . . A major contribution.and#8221;
Review
and#8220;Captivating prose. . . . A much-needed view from the margins.and#8221;
Review
and#8220;Beautifully written.and#8220;
Review
"Engaging and well-written . . . a major contribution."
Synopsis
In this engrossing cultural history of baseball in Taiwan, Andrew D. Morris traces the gameand#8217;s social, ethnic, political, and cultural significance since its introduction on the island more than one hundred years ago. Introduced by the Japanese colonial government at the turn of the century, baseball was expected to and#147;civilizeand#8221; and modernize Taiwanand#8217;s Han Chinese and Austronesian Aborigine populations. After World War II, the game was tolerated as a remnant of Japanese culture and then strategically employed by the ruling Chinese Nationalist Party (KMT) Even as it was also enthroned by Taiwanese politicians, cultural producers, and citizens as their national game. In considering baseballand#8217;s cultural and historical implications, Morris deftly addresses a number of societal themes crucial to understanding modern Taiwan, the question of Chinese and#147;reunification,and#8221; and East Asia as a whole.
Synopsis
"Morris successfully weaves the intricacies of baseball's history into a compelling narrative while giving us a keen analysis of its larger significance. It is rare to find someone who can pull that off. This is an absorbing and distinguished addition to sports history, to Taiwanese history, and to studies of colonialism and its aftermath."--William Kelly, Yale University
Synopsis
"Morris successfully weaves the intricacies of baseball's history into a compelling narrative while giving us a keen analysis of its larger significance. It is rare to find someone who can pull that off. This is an absorbing and distinguished addition to sports history, to Taiwanese history, and to studies of colonialism and its aftermath."and#151;William Kelly, Yale University
"Colonial Project, National Game offers an engaging and penetrating analysis of the culture of baseball in Taiwan, in both its local and global conditions. Morris weaves details into a compelling narrative that is as much about the game on the field as the game being played out in the arenas of ethnicity, nationalism and geopolitics. Morris's study is a model of sophistication and lucidity. He demonstrates that through a perceptive reading of the mundane world of curve balls and player contracts, we can better understand the ideological substructure of the social."and#151;Joseph R. Allen, University of Minnesota, Twin Cities
About the Author
Andrew D. Morris is Professor of History and Chair of the History Department at California Polytechnic State University, San Luis Obispo. He is the author of Marrow of the Nation: A History of Sport and Physical Culture in Republican China (UC Press) and coeditor of The Minor Arts of Daily Life: Popular Culture in Taiwan.
Table of Contents
Acknowledgments
Map of Taiwan
Introduction
1. Baseball in Japanese Taiwan, 1895and#150;1920s
2. Making Racial Harmony in Taiwan Baseball, 1931and#150;1945
3. Early Nationalist Rule, 1945and#150;1967: and#147;Thereand#8217;s no Mandarin in baseballand#8221;
4. Team of Taiwan, Long Live the Republic of China: Youth Baseball in Taiwan, 1968and#150;1969
5. and#147;Chineseand#8221; Baseball and Its Discontents, 1970sand#150;1980s
6. Homu-Ran Batta: Professional Baseball in Taiwan, 1990and#150;Present
7. Conclusion: Baseballand#8217;s Second Century in Taiwan
Appendix: Taiwanese Professional Baseball Teams and National Origin of Foreign Players
Notes
Glossary of Chinese, Japanese, and Taiwanese Terms and Names
Selected Bibliography
Index
Photographs follow page