Synopses & Reviews
The Bible, as Wright's book demonstrates, plays a key role in nearly all D. H. Lawrence's work. It supplies not only the inspiration but on occasion the target for his parody. After considering the extraordinary range of Lawrence's reading, Wright engages in a theoretically informed but clear exploration of the textual dynamics of Lawrence's writing. His writing is seen to reveal a prolonged struggle to read the Bible in a much broader spirit than that encouraged by orthodox Christianity.
Review
"Wright's long-overdue study addresses a crucial, heretofore neglected aspect of Lawrence's canon..." Choice
Review
"It is good to see Wright turn his considerable knowledge to Lawrence... He has a scrupulous sense of Lawrence's biography and publishing history... I would recommend this book to students and Lawrence scholars." D.H. Lawrence Review"Wright's long-overdue study addresses a crucial, heretofore neglected aspect of Lawrence's canon..." Choice"T.R. Wright 's book install renewed respect both for the Bible's continuing resonance and for the ways in which that resonance shape s creative and critical writing alike...this study will prove very useful to readers interested in Lawrence, the Bible, and, most importantly, their fruitful intersection." English Literature in Transition 2002
Synopsis
Wright's book demonstrates how the Bible plays a key role in D. H. Lawrence's work.
Table of Contents
1. 'The work of creation': Lawrence and the Bible; 2. Biblical intertextuality: Bakhtin, Bloom and Derrida; 3. Higher criticism: Lawrence's break with Christianity; 4. Poetic fathers: Neitzsche and the Romantic tradition; 5. Pre-war poetry and fiction: Adam and Eve come through; 6. Re-marking Genesis: The Rainbow as Counter-Bible; 7. Double-reading the Bible: Esoteric Studies and Reflections; 8. Genesis versus John: Women in Love, The Lost Girl and Mr. Noon; 9. Books of Exodus: Aaron's Rod, Kangaroo and The Boy in the Bush; 10. Prose Sketches, 'Evangelistic Beasts' and stories with Biblical overtones; 11. Prophetic voices and Red mythology: The Plumed Serpent and David; 12. The Risen Lord: The Escaped Cock, Lady Chatterley's Lover and the paintings; 13. Apocalypse: the conflict of love and power; 14. Last Poems: Final thoughts.