Synopses & Reviews
La Mer stands at the center of Debussy's achievement. Described by the composer as "a seascape without figures," it is arguably the greatest and most original French symphony. In this study, La Mer is considered in the context of Debussy's personal and musical development. Detailed discussion of performance styles draw on current recordings, and two analytical chapters trace the growth of ideas through the work. Studies of rhythm, motif and tonality show how Debussy generates "narratives" across the three movements.
Review
"With its many examples of music, six pages of footnotes, and select bibliography, this is a very rewarding study of a complex work that has profoundly affected the music of our century." Choice"This book certainly will appeal to the audience of knowledgeable music lovers for which it is intended, and it should be required reading for conductors. For this reason it will be of interest to general libraries and music-trade professionals." Richard S. Parks, Book Reviews
Synopsis
La mer stands at the centre of Debussy's achievement. In this study it is considered in the context of Debussy's personal and musical development. Discussion of performance styles draws on current recordings, and studies of rhythm, motif and tonality show how Debussy generates 'narratives' across the movements.
Description
Includes bibliographical references (p. 104-105) and index.
Table of Contents
Preface, acknowledgements, notes on editions and references, piano arrangements; 1. Debussy: 1903-1905; 2. Genesis; 3. La Mer in performance; 4. The 'invisible sentiments of nature'; 5. Genre and style; 6. Design; 7. Material and 'immaterial' music; 8. Afterword; Notes; Selected bibliography; Index.