Synopses & Reviews
Deems Taylor (1885-1966) was a composer, music critic, author, commentator, translator, and artist. He was the first American composer commissioned to write an opera by New York's Metropolitan Opera, and composed orchestral and solo works that remain part of the repertoire. He gained fame initially introducing the regular radio broadcasts of the New York Philharmonic in the mid-?30s; his fame was so great, that animator Walt Disney invited him to be the on-screen host of Fantasia. Taylor wrote for many popular journals, including Vanity Fair and the New Yorker, as well as the daily press, and his work was collecting in many best-selling books.
Taylor's biographer, James Pegolotti, has made a fresh selection of the best of Taylor's writings on music for this new volume. Divided into parts reflecting a chronological look at Taylor's entire career, the work exposes the reader to Taylor's wit and keen intellect. Pegolotti has written brief introductions for each section, placing Taylor's work in the context of its time.
Deems Taylor: Selected Writings brings into full view a forgotten important music reviewer and social commentator of the first half of the twentieth century.
Synopsis
Deems Taylor (1885-1966) was well known in America during the first half of the 20th centruy as a composer, music critic, author, and radio personality. His opera, The King's Henchmen (1927), with libretto by Edna St. Vincent Millay, was the first opera ever commissioned by the Metropolitan Opera. As intermission commentator for the Sunday broadcasts of the New York Philharmonic (1936-1943), his voice and insightful commentary, always with a sense of humor, were heard by millions. His fame was so great as a music commentator that animator Walt Disney chose him as the onscreen host for the 1940 movie classic Fantasia.
Deems Taylor: Selected Writings brings into full view a forgotten important music reviewer and social commentator of the first of the first half of the twentieth century.