Synopses & Reviews
Rómulo Gallegos is best known for being Venezuelas first democratically elected president. But in his native land he is equally famous as a writer responsible for one of Venezuelas literary treasures, the novel Doña Barbara. Published in 1929 and all but forgotten by Anglophone readers, Doña Barbara is one of the first examples of magical realism, laying the groundwork for later authors such as Gabriel García Márquez and Mario Vargas Llosa.
Following the epic struggle between two cousins for an estate in Venezuela, Doña Barbara is an examination of the conflict between town and country, violence and intellect, male and female. Doña Barbara is a beautiful and mysterious woman—rumored to be a witch—with a ferocious power over men. When her cousin Santos Luzardo returns to the plains in order to reclaim his land and cattle, he reluctantly faces off against Doña Barbara, and their battle becomes simultaneously one of violence and seduction. All of the action is set against the stunning backdrop of the Venezuelan prairie, described in loving detail. Gallegoss plains are filled with dangerous ranchers, intrepid cowboys, and damsels in distress, all broadly and vividly drawn. A masterful novel with an important role in the inception of magical realism, Doña Barbara is a suspenseful tale that blends fantasy, adventure, and romance.
Hailed as “the Bovary of the llano” by Larry McMurtry in his new foreword to this book, Doña Barbarais a magnetic and memorable heroine, who has inspired numerous adaptations on the big and small screens, including a recent television show that aired on Telemundo.
Review
“Remarkable. . . . From its first pages it reveals . . . why it made Gallegos famous. . . . If Señor Gallegos is one-half as good a President as he is a novelist, Venezuela is a lucky land.”
Review
“An exciting heroic tale of the life of Venezuelan plainsmen, master and peons, ranchers and cowboys and horse thieves.”
Review
Unlike the austere plain I grew up on, Gallegos’s
llano is steamy, tumescent, lust-driven. Dona Barbara may have been a kind of anticipation of Eva Peron. She owns a great ranch, the Altimara, but must struggle constantly to keep it. She is, in her way, a tragic heroine, seeking to attract a decent lover, while giving herself day and night to very coarse lovers indeed. She is, however, very vividly drawn, a Bovary of the
llano. In the prose one will now and then hear Conradian echoes, and certainly there are echos of Gallegos in Garcia Marquez, Vargas Lhosa, and Fuentes. Let us hope this attractive reprint will bring Romolo Gallegos the readers he deserves.
Synopsis
Collecting the most important of the great classics of world literature, this series spans a wide variety of genres, styles, and interests. Besides the original texts, the collection includes a critical analysis of each book, a detailed look at each author, and the era in which it was written--giving a much more ample look at the history of literature. This series makes the study of these works easier and more accessible for both literature buffs and students, supplying additional information that allows for a deeper understanding of each topic while putting each work in its proper historical context. Recogiendo los textos integros de las grandes obras clasicas de la literatura universal, esta serie recorre diversos generos, estilos y corrientes. Ademas de los textos originales, la coleccion incluye un analisis critico sobre cada obra, un estudio profundo de los autores, su obra y la epoca en la que vivieron, reflejando una vision mucho mas amplia sobre la historia de la literatura. Esta coleccion favorece y ayuda al estudio de las obras, tanto a los aficionados de la literatura como a los estudiantes de la materia, contribuyendo a adquirir nuevos elementos que completen su formacion, permitiendo una mayor comprension sobre el tema y enmarcando cada obra dentro de su propio contexto historico.
About the Author
Rómulo Gallegos (1889–1969) was a Venezuelan novelist and politician who served briefly as the nation’s first democratically elected president. After publishing Doña Barbara, he was forced to flee to Spain but returned in 1936 to hold a variety of political offices. He was again forced out by a coup d’etat in 1948, returned in 1958, then was elected senator for life.