Synopses & Reviews
The latest book from veteran O'Neillian Edward L. Shaughnessy, Down the Nights and Down the Days: Eugene O'Neill's Catholic Sensibility examines a major aspect of the playwright's vision: the influence of his Catholic heritage upon his moral imagination. Critics, aware of O'Neill's early renunciation of faith at the age of fifteen, have been inclined to overlook this presence in his work.
However, Shaughnessy does uncover evidence that O'Neill retained the impress of his Irish Catholic upbringing and acculturation. Shaughnessy advances this analysis with examples from the O'Neill canon, including several of the key plays (Long Day's Journey into Night, The Iceman Cometh, Mourning Becomes Electra), as well as some of the lesser-known works (Welded and Days Without end).
Down the Nights and Down the Days: Eugene O'Neill's Catholic Sensibility offers a fresh and thought-provoking look at the life and work of this nation's most internationally honored playwright.
Synopsis
This latest book from veteran O'Neillian Edward L. Shaughnessy examines the influence of the Irish playwright's Catholic heritage on his moral imagination. Critics, due to O'Neill's early renunciation of faith at age 15, have mostly overlooked this presence in his work. While Shaughnessy makes no attempt to reclaim him for Catholicism, he uncovers evidence that O'Neill retained the imprint of his Irish Catholic upbringing and acculturation in his work.
Shaughnessy discusses several key plays from the O'Neill cannon, such as Long Day's Journey into Night, The Iceman Cometh, and Mourning Becomes Electra, as well as the lesser-known Ile and Days Without End.
Winner of the Irish in America Manuscript competition, Down the Days and Down the Nights: Eugene O'Neill's Catholic Sensibility is a compelling investigation into the psyche of one of the most brilliant, internationally honored playwrights of our time.
Description
Includes bibliographical references (p. 199-220) and index.