Synopses & Reviews
andlt;bandgt;With over 80 beautiful paintings and calligraphy scrolls, andlt;iandgt;Elegant Gatheringandlt;/iandgt; features one of the finest collections of Chinese artand#8212;unnacessible to the public until now.andlt;/bandgt;andlt;BRandgt;andlt;BRandgt;The Yeh Family collectionand#8212;thought to have been begun by Ye Yanlan in the nineteenth centuryand#8212;has lasted a long time. Over the course of China's tumultuous modern history some works were lost or removed from the collection, while new ones were added. But the idea that these paintings and calligraphies constituted a family collection has remained. Now the current caretakers of the collection, Max Yeh and Yeh Tung, have donated more than one hundred thirty works from the collection to the Asian Art Museum, of which the eighty in this catalogue were shown in an exhibition at the museum.andlt;BRandgt;andlt;BRandgt;These eighty superb examples of Chinese painting and calligraphy date as far back as the seventh century. Included are a number of important paintings by leading artists of the early and mid-twentieth century. These are rare and significant works, but perhaps the collection's deepest meaning lies in its embodiment of values that have endured in China through generations of cultural and political change.
Review
"In 2003, the Yehs, a prominent Chinese family with West Coast links, donated their art collection to the San Francisco Asian Art Museum. This show offers more than 80 images from the collectionand#8212;mostly Chinese painting and calligraphyand#8212;from the Ming period to the 20th century. One highlight is an early album of Chu Suiliang, a Tang dynasty calligrapher." and#8212;andlt;bandgt;The New York Timesandlt;/bandgt;
Synopsis
"andlt;iandgt;In 2003, the Yehs, a prominent Chinese family with West Coast links, donated their art collection to the San Francisco Asian Art Museum. This show offers more than 80 images from the collection--mostly Chinese painting and calligraphy--from the Ming period to the 20th century. One highlight is an early album of Chu Suiliang, a Tang dynasty calligrapher.andlt;/iandgt;" --andlt;bandgt;The New York Timesandlt;/bandgt;andlt;BRandgt;andlt;BRandgt;The paintings and calligraphy included in this beautiful edition--some of which date as far back as the seventh century--were collected over three generations beginning in the mid-1800s. Included are major works by Mi Fu (1051u1107), Fu Shan (1605u1690), Zhang Daqian (1899u1983), and others, as well as artworks by members of the Yeh family and their contemporaries.andlt;BRandgt;andlt;BRandgt;Often paintings and calligraphies were produced or discussed in literati meetings called "elegant gatherings." More than just a catalogue of an extraordinary colelction, the book considers the act of collecting itself, and the cultural implications of a family collection in the Chinese context.
Synopsis
With over 80 beautiful paintings and calligraphy scrolls, Elegant Gathering features one of the finest collections of Chinese art--unnacessible to the public until now.
The Yeh Family collection--thought to have been begun by Ye Yanlan in the nineteenth century--has lasted a long time. Over the course of China's tumultuous modern history some works were lost or removed from the collection, while new ones were added. But the idea that these paintings and calligraphies constituted a family collection has remained. Now the current caretakers of the collection, Max Yeh and Yeh Tung, have donated more than one hundred thirty works from the collection to the Asian Art Museum, of which the eighty in this catalogue were shown in an exhibition at the museum.
These eighty superb examples of Chinese painting and calligraphy date as far back as the seventh century. Included are a number of important paintings by leading artists of the early and mid-twentieth century. These are rare and significant works, but perhaps the collection's deepest meaning lies in its embodiment of values that have endured in China through generations of cultural and political change.
Synopsis
An exploration of the act of collecting and the cultural implications of a family collection in the Chinese context
Synopsis
"
In 2003, the Yehs, a prominent Chinese family with West Coast links, donated their art collection to the San Francisco Asian Art Museum. This show offers more than 80 images from the collection--mostly Chinese painting and calligraphy--from the Ming period to the 20th century. One highlight is an early album of Chu Suiliang, a Tang dynasty calligrapher." --
The New York TimesThe paintings and calligraphy included in this beautiful edition--some of which date as far back as the seventh century--were collected over three generations beginning in the mid-1800s. Included are major works by Mi Fu (1051û1107), Fu Shan (1605û1690), Zhang Daqian (1899û1983), and others, as well as artworks by members of the Yeh family and their contemporaries.
Often paintings and calligraphies were produced or discussed in literati meetings called "elegant gatherings." More than just a catalogue of an extraordinary colelction, the book considers the act of collecting itself, and the cultural implications of a family collection in the Chinese context.
About the Author
andlt;bandgt;Max Yehandlt;/bandgt;, son of Ye Gongchao and retired Professor of Comparative Literature at Hobart and William Smith Collegesandlt;BRandgt;andlt;BRandgt;andlt;bandgt;Wen-Hsin Yehandlt;/bandgt;, Morrison Professor of Twentieth-Century Chinese History, Department of History, University of California, Berkleyandlt;BRandgt;andlt;BRandgt;andlt;bandgt;Kuyi Shenandlt;/bandgt;, Associate Professor, Department of Visual Arts, University of California, San Diegoandlt;BRandgt;andlt;BRandgt;andlt;bandgt;Jason C. Kuoandlt;/bandgt;, Professor, Department of Art History and Archaeology, University of Maryland