Synopses & Reviews
WINNER of the British Academy's Rose Mary Crawshay Literary PrizeThis study reveales both the pleasures offered by Elizabeth Bowen's works to the general reader and the literary critic, theorist and historian.Elizabeth Bowen was one of the finest writers of fiction in English in the twentieth century and one of the strangest. Born in 1899, her historical vision extends from the Irish Troubles of the 1920s to the London Blitz and the technological revolution of the post-war years. Her fiction is always entertaining - funny, moving and full of suspense - but it is also profoundly disconcerting.Maud Ellmann teases out Bowen's strangeness through close readings informed by historical, psychoanalytic and deconstructive methods of interpretation. She contextualises Bowen's work in the Irish and modernist traditions to investigate connections between her life and writing. She thoroughly expores Bowen's conflicting and complicit relations with other Irish, British, and European writers, her negotiations bet
Synopsis
In this authoritative introduction to her life and work, Maud Ellmann teases out Bowen's strangeness through close readings informed by historical, psychoanalytic, and deconstructive methods of interpretation.
Synopsis
Winner of the Rose Mary Crawshay Award for 2004Shortlisted for the 2004 British Academy Book PrizeElizabeth Bowen is one of the finest writers of the twentieth century. She is also one of the strangest. In this authoritative introduction to her life and work, Maud Ellmann teases out Bowen's strangeness through close readings informed by historical, psychoanalytic, and deconstructive methods of interpretation. She contextualises Bowen's work in the Irish and modernist traditions to investigate connections between her life and writing; her conflicts and complicities with other Irish, British, and European writers; her negotiations with contemporary history, and with the long decline of the Anglo-Irish Protestant ascendancy; her peculiar take on gender and sexuality; her hallucinatory treatment of objects, particularly furniture and telephones; and the surprising ways in which her writing pre-empts and in some cases confounds the literary theories brought to bear upon it.Features: *Maud Ellmann is a distinguished critic who writes with great elegance and critical insight.*Provides a lucid demonstration of psychoanalytic modes of reading and an enriched understanding of Bowen's life and times.*Provides original readings of all the main novels and short stories.*Identifies the key motifs associated with Bowen's strange fiction, for example, her preoccupation with houses and furniture.*Suitable background reading not only for those interested in twentieth-century fiction and women's writing, but for the literary critic, theorist and historian.
Synopsis
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WINNER of the British Academy's Rose Mary Crawshay Literary Prize
This study reveales both the pleasures offered by Elizabeth Bowen's works to the general reader and the literary critic, theorist and historian.
Elizabeth Bowen was one of the finest writers of fiction in English in the twentieth century and one of the strangest. Born in 1899, her historical vision extends from the Irish Troubles of the 1920s to the London Blitz and the technological revolution of the post-war years. Her fiction is always entertaining - funny, moving and full of suspense - but it is also profoundly disconcerting.
Maud Ellmann teases out Bowen's strangeness through close readings informed by historical, psychoanalytic and deconstructive methods of interpretation. She contextualises Bowen's work in the Irish and modernist traditions to investigate connections between her life and writing. She thoroughly expores Bowen's conflicting and complicit relations with other Irish, British, and European writers, her negotiations between contemporary history and with the long decline of the Anglo-Irish Protestant ascendancy, her peculiar take on gender and sexuality, her hallucinatory treatment of objects, particularly furniture and telephones and the surprising ways in which her writing pre-empts and in some cases confounds the literary theories brought to bear upon it. Bowen's writing is demonstrated to reach from a Dickensian comprehensiveness to an uncanny premonition of postmodernism.
About the Author
Maud Ellmann is Randy L. and Melvin R. Berlin Professor of the Development of the Novel in English at the University of Chicago