Synopses & Reviews
For two hundred years a noble Venetian family has suffered from an inherited disease that strikes their members in middle age, stealing their sleep, eating holes in their brains, and ending their lives in a matter of months. In Papua New Guinea, a primitive tribe is nearly obliterated by a sickness whose chief symptom is uncontrollable laughter. Across Europe, millions of sheep rub their fleeces raw before collapsing. In England, cows attack their owners in the milking parlors, while in the American West, thousands of deer starve to death in fields full of grass.
What these strange conditions-including fatal familial insomnia, kuru, scrapie, and mad cow disease-share is their cause: prions. Prions are ordinary proteins that sometimes go wrong, resulting in neurological illnesses that are always fatal. Even more mysterious and frightening, prions are almost impossible to destroy because they are not alive and have no DNA-and the diseases they bring are now spreading around the world.
In The Family That Couldnt Sleep, essayist and journalist D. T. Max tells the spellbinding story of the prions hidden past and deadly future. Through exclusive interviews and original archival research, Max explains this storys connection to human greed and ambition-from the Prussian chemist Justus von Liebig, who made cattle meatier by feeding them the flesh of other cows, to New Guinean natives whose custom of eating the brains of the dead nearly wiped them out. The biologists who have investigated these afflictions are just as extraordinary-for example, Daniel Carleton Gajdusek, a self-described
“pedagogic pedophiliac pediatrician” who cracked kuru and won the Nobel Prize, and another Nobel winner, Stanley Prusiner, a driven, feared self-promoter who identified the key protein that revolutionized prion study.
With remarkable precision, grace, and sympathy, Max-who himself suffers from an inherited neurological illness-explores maladies that have tormented humanity for centuries and gives reason to hope that someday cures will be found. And he eloquently demonstrates that in our relationship to nature and these ailments, we have been our own worst enemy.
Advance praise
“The Family that Couldnt Sleep is a riveting detective story that plumbs one of the deepest mysteries of biology. The story takes the reader from the torments of an Italian family cursed with sleeplessness to the mad cows of England (and, now, America), following an unlikely trail of misfolded proteins. D. T. Max unfolds his absorbing narrative with rare grace and makes the science sing.” -Michael Pollan, author of The Omnivores Dilemma and The Botany of Desire
“Much has been written about prions and Mad Cow Disease-nearly all of it is worthless. Thankfully, from the world of journalism comes D.T. Max to set things right. Throw all those other “Mad Cow” books in the trash: This is the book to read about prions-or whatever you want to call them. Its a riveting tale, told by someone with a very special understanding, derived in part from his own strange ailment. Find a cozy spot, clear your schedule and dive in.”
- Laurie Garrett, author of Betrayal of Trust and The Coming Plague
“D. T. Max deftly unfolds the mysterious prion in all its villainous guises. Although scientists do not fully understand these proteins-how they replicate and wreak such havoc in their victims brains-The Family That Couldnt Sleep reveals their historical, cultural, and scientific place in our world. Prepare to be enlightened, entertained, and frightened.”
-Katrina Firlik, MD, author of Another Day in the Frontal Lobe
“A great book. D.T. Max has drawn the curtain on a cabinet of folly and malady that will stagger your imagination.”
- Philip Weiss, author of American Taboo
“D.T. Max has combined the enthralling medical anthropology of Oliver Sacks with the gothic horror of Stephen King to produce a medical detective story that is as intelligent as it is spooky. The villain of The Family That Couldnt Sleep is the prion, a tiny little protein that causes some of the most terrifying, brain-mangling, creepy diseases known to man. Always fascinating-how could it not be, given that its characters include cannibals, mad cows, madder sheep, a Nobel prize-winning pedophile, and, most poignantly, an Italian family cursed by fatal insomnia?-Maxs book is also a gripping account of scientific discovery, and a heartfelt meditation on what it means to be cursed with an incurable, and brutal, illness.” - David Plotz, author of The Genius Factory
From the Hardcover edition.
Review
Praise for Every Love Story Is A Ghost Story
“In his revealing new biography, D.T. Max gives us a sympathetic portrayal of Wallace’s life and work, tracing the connections between the two, while mapping the wellsprings of his philosophical vision…what Mr. Max’s book does do -- and does powerfully – is provide an emotionally detailed portrait of the artist as a young man.” –Michiko Kakutani, The New York Times
“All readers, even those who know nothing of Wallace, will be moved by the portrayal of one man’s honest struggle with mental illness…the portrayal of the latter half of his life is deeply sympathetic and surprisingly inspiring…[the book’s] poignancy is in its emphasis on Wallace’s years of hard-earned survival and his efforts, though unrealized, toward artistic transformation.” –Sam Sacks, The Wall Street Journal
“A well-crafted, insightful chronicle of this singular writer’s life and literary work…Max’s biography succeeds on multiple levels: through his astute interpretations of Wallace’s literary output and liberal quotes from the writer himself, this book very much embodies the spirit and life of Wallace…for this reader, the biography provides a measure of solace – that is this great writer can’t be among us, at least he can be remembered in all of his genius and complexity.” –S. Kirk Walsh, The San Francisco Chronicle
“I’m having trouble remembering when I was last so consumed by any piece of writing, fiction or non… In providing a more complete sense of Wallace than we ever had while he lived, it makes his death feel more real, somehow more irrefutable. And, for anyone who felt a profound emotional connection to Wallace and his work, there’s a strenuously cathartic dimension to this: the experience of knowing him more fully, and of thereby feeling more completely the force and finality of his absence.” –Mark O’Connell, Slate.com
“Documenting the life of a writer as revered and tormented as the late David Foster Wallace is a fraught task at best. D.T. Max has done an admirable job with Every Love Story is a Ghost Story…what emerges is a vivid portrait of an artist whose verbal brilliance was continually hampered, and ultimately silenced, by debilitating mental illness.” –Steve Almond, The Boston Globe
“While Max appears to greatly admire Wallace as a writer and feel compassion for him as a man, he is never starry-eyed, or pulls his punches. Every Love Story is a Ghost Story is as illuminating, multifaceted, and serious an estimation of David Foster Wallace’s life and work as we can hope to find.” –Elissa Schappell, Vanityfair.com
“Brilliant and compulsively readable… a convincingly intimate and lucid narrative...Max’s new biography deftly reassembles the life of David Foster Wallace…strips away the legend and gives us an all-too-human writer.” –Taylor Antrim, Vogue.com
“Full of all kinds of strange surprises, painting the most complete, and warmest, portrait of Wallace yet.” –Rolling Stone
“Wallace’s first biographer, the lucid and energetic D.T. Max, restores the man to his own story. Every Love Story is a Ghost Story takes a balanced and unfussy approach, avoiding hagiography and dealing directly with both the gifts and flaws of a mammoth talent…Max makes us wish Wallace were alive to continue the conversation.” –Gemma Sieff, Town and Country
“All dedicated readers of contemporary American literature will know the tragic, haunting and ultimately unfathomable story of David Foster Wallace, the prodigiously gifted writer - no, genius - who reshaped the contours of both the novel and long-form nonfiction in his far-too-brief life. D. T. Max has now provided answers to the questions that can be answered and asked, with tact and grace, the ones that can't. His biography is a model of deep scholarly excavation and acute sensitivity, an exemplary feat of literary portraiture.” —James Atlas, author of Bellow: A Biography
“This book is vey well-researched, deeply sympathetic, and incredibly painful to read. We should feel grateful that this story was told by someone as talented and responsible as D.T. Max.” —Dave Eggers, author of A Hologram for the King
"This book should be handed to anyone who wants to write, if only to remind the aspiring writer that becoming a voice of generational significance turns out to be very poor insulation indeed from struggle, fear, and despair. D. T. Max is beautifully attuned to Wallace's strengths, whether personal or literary, and bracingly clear-sighted on his flaws. The result is a book that's moving, surprising (Wallace voted for Reagan?), and hugely disquieting. If you love Wallace's work, you obviously need to read this book; if you don't love Wallace's work, you especially need to read this book.” —Tom Bissell, author of The Father of All Things
“A damnably readable, streamlined, yet deeply researched work. Skipping the ancestors and aftermath of conventional biography, Max gives us the man, his work, and his times--the niceties of which (so complicated, so exquisitely intertwined) Max articulates with, well, Wallace-like lucidity and wit. Above all this is the story of a touching young man who insisted on being something better than simply the smartest person in the room.” —Blake Bailey, author of Cheever: A Life
"I’d worried that by making David Foster Wallace less mythic, D. T. Max would make him smaller. But the accretion of well-chosen details makes Wallace greater: a complete human being, one whom these superbly reported pages allow us to know rather than to worship. And that makes his loss even more unbearable." —Anne Fadiman, author of At Large and At Small
“This a book about being human, living human, writing human -- Wallace's own subjects -- and chronicles with real compassion the complex, fierce joy Wallace took in being alive. A treat for Wallace fans and anyone who cares about the prose of our time.” —Brenda Wineapple, author of White Heat
"Building on his acclaimed New Yorker profile, Max draws on his unparalleled access to sources--from friends and family members to previously unpublished notes and letters--and renders a life and literary portrait that fans will devour and critics will find indispensable. Through the grace of D. T. Max's clear prose readers will know Wallace and miss him as never before." —Evan Wright, author of Generation Kill
“D.T. Max’s biography is a touchingly sad story, well and honorably told, and consistently full of the human warmth that David Foster Wallace longed for, in his life and his work-- a longing he could never quite satisfy in either." —Madison Smartt Bell, author of The Color of Night
Review
Praise for
Every Love Story Is A Ghost Story:
“In his revealing new biography, D.T. Max gives us a sympathetic portrayal of Wallaces life and work, tracing the connections between the two, while mapping the wellsprings of his philosophical vision…what Mr. Maxs book does do -- and does powerfully - is provide an emotionally detailed portrait of the artist as a young man.” —Michiko Kakutani, The New York Times
“All readers, even those who know nothing of Wallace, will be moved by the portrayal of one mans honest struggle with mental illness…the books] poignancy is in its emphasis on Wallaces years of hard-earned survival and his efforts, though unrealized, toward artistic transformation.” —Sam Sacks, The Wall Street Journal
“A well-crafted, insightful chronicle of this singular writers life and literary work…Maxs biography succeeds on multiple levels: through his astute interpretations of Wallaces literary output and liberal quotes from the writer himself, this book very much embodies the spirit and life of Wallace…for this reader, the biography provides a measure of solace - that is this great writer cant be among us, at least he can be remembered in all of his genius and complexity.” —S. Kirk Walsh, The San Francisco Chronicle
“Im having trouble remembering when I was last so consumed by any piece of writing, fiction or non…Maxs focus is, not surprisingly, more or less resolutely on Wallaces life as it related to his art. This decision to strip the story down to its narrative essentials pays off in terms of compulsive readability…In providing a more complete sense of Wallace than we ever had while he lived, it makes his death feel more real, somehow more irrefutable. And, for anyone who felt a profound emotional connection to Wallace and his work, theres a strenuously cathartic dimension to this: the experience of knowing him more fully, and of thereby feeling more completely the force and finality of his absence.” —Mark OConnell, Slate.com
“You find it painful, frightening, and, yes, gripping, to read about someone in chronic and severe emotional distress. In writing a chronologically narrated, thoroughly researched, objective-as-imaginable biography, Max has created a page turner.” —Rivka Galchen, The New York Times Book Review
“Maxs long-awaited bio, Every Love Story is a Ghost Story, helps us understand the man behind the words, and the mind behind the suicide…[Max] makes Wallace begin to cohere and become more approachable, more real…necessary reading if you care about DFW or the cultural moment that shaped him and then felt his impact.” —Evan Hughes, GQ.com
“Documenting the life of a writer as revered and tormented as the late David Foster Wallace is a fraught task at best. D.T. Max has done an admirable job with Every Love Story is a Ghost Story…what emerges is a vivid portrait of an artist whose verbal brilliance was continually hampered, and ultimately silenced, by debilitating mental illness.” —Steve Almond, The Boston Globe
“Maxs long-awaited biography of David Foster Wallace has been the end-of-summer book for readers of literary fiction. It has inspired countless reviews, conversations, and online outbursts…Max somehow manages to tell a compelling story that peels back the public image of Wallace without stripping it bare, creating a portrait of a troubled and gifted man who crafted some of our times best writing and giving readers a fuller sense of the relation of the work to the life.” —Samuel Cohen, The Believer
“While Max appears to greatly admire Wallace as a writer and feel compassion for him as a man, he is never starry-eyed, or pulls his punches. Every Love Story is a Ghost Story is as illuminating, multifaceted, and serious an estimation of David Foster Wallaces life and work as we can hope to find.” —Elissa Schappell, Vanityfair.com
“Brilliant and compulsively readable…M
Synopsis
The first biography of the most influential writer of his generation, David Foster WallaceDavid Foster Wallace was the leading literary light of his era, a man who not only captivated readers with his prose but also mesmerized them with his brilliant mind. In this, the first biography of the writer, D. T. Max sets out to chart Wallace’s tormented, anguished and often triumphant battle to succeed as a novelist as he fights off depression and addiction to emerge with his masterpiece, Infinite Jest.
Since his untimely death by suicide at the age of forty-six in 2008, Wallace has become more than the quintessential writer for his time—he has become a symbol of sincerity and honesty in an inauthentic age. In the end, as Max shows us, what is most interesting about Wallace is not just what he wrote but how he taught us all to live. Written with the cooperation of Wallace’s family and friends and with access to hundreds of his unpublished letters, manuscripts, and audio tapes, this portrait of an extraordinarily gifted writer is as fresh as news, as intimate as a love note, as painful as a goodbye.
Synopsis
The first biography of the most influential writer of his generation, David Foster WallaceDavid Foster Wallace was the leading literary light of his era, a man who not only captivated readers with his prose but also mesmerized them with his brilliant mind. In this, the first biography of the writer, D. T. Max sets out to chart Wallace’s tormented, anguished and often triumphant battle to succeed as a novelist as he fights off depression and addiction to emerge with his masterpiece, Infinite Jest.
Since his untimely death by suicide at the age of forty-six in 2008, Wallace has become more than the quintessential writer for his time—he has become a symbol of sincerity and honesty in an inauthentic age. In the end, as Max shows us, what is most interesting about Wallace is not just what he wrote but how he taught us all to live. Written with the cooperation of Wallace’s family and friends and with access to hundreds of his unpublished letters, manuscripts, and audio tapes, this portrait of an extraordinarily gifted writer is as fresh as news, as intimate as a love note, as painful as a goodbye.
Synopsis
The acclaimed New York Timesbestselling biography and emotionally detailed portrait of the artist as a young man” (Michiko Kakutani, The New York Times) Since his untimely death by suicide at the age of forty-six in 2008, David Foster Wallace has become more than the representative writer of his literary generationhe has become a symbol of sincerity and honesty in an inauthentic age, a figure whose reputation and reach grow by the day. In this compulsively readable biography, D. T. Max charts Wallaces tormented, anguished, and often triumphant battle to succeed as a novelist as he fights off depression and addiction to emerge with his masterpiece, Infinite Jest. Written with the cooperation of Wallace family members and friends and with access to hundreds of Wallaces unpublished letters, manuscripts, and journals, this revelatory biography illuminates the unique connections between Wallaces life and his fiction in a gripping and deeply moving narrative that will transfix readers.
About the Author
D. T. Max was born and raised in New York City and graduated from Harvard in 1984. He has been an editor at Washington Square Press, Houghton Mifflin, and
The New York Observer. For the past eight years, he has reported mostly for
The New York Times Magazine. His work has also appeared in the
Los Angeles Times,
The Wall Street Journal,
San Francisco Chronicle, and
Chicago Tribune. He lives outside Washington, D.C., with his wife, their two young children, and a rescued beagle named Max.
From the Hardcover edition.